Arthur C. Clarke has several science fiction novels, of
which 2001: A Space Odyssey – and the film based on it – are probably the
most famous. What many don’t realize is
that there are actually three sequels – 2010, 2061, and 3001
– of which only 2010 was made into a movie. However, unlike 2001, which makes no
sense without having read the book, 2010 actually makes sense on its
own. To my knowledge, neither 2061
nor 3001 were made into movies.
I had done three separate blogs in the past, here I’ll simply combine
all three into one.
First, 2001.
Here’s an interesting fact: the novel was
written simultaneously with the production of the movie by Stanley
Kubrick. The movie premiered on April 2, 1968, whereas the book was
released in June 1968 (hardback) and July 1968 (paperback). Anyone
attending the premiere would have had no access to the book. Audiences’
reactions were mixed: Rock Hudson was quoted as complaining, “can someone tell
me what this is all about?”, whereas the Doors, forced to see the film from the
front row (the only seats left) were knocked out and impressed; Morrison stood
up and said, “Well, that’s the best movie I’ve ever seen, we can go now.”
For my part, I shared Hudson’s impression.
Unfortunately for most of us (including
me), the movie surgically extracts the plot and leaves us with barking monkeys,
man vs. homicidal computer, and an extravagant light show. The novel, as
you might expect, fills in the gaps and tells us what is really going on,
particularly useful and necessary towards the end.
Let’s start with the movie, sans novel.
Part I. Apes jump around mysterious
monolith, grab bones, and start kicking ass.
Part II. Humans find monolith on the
moon. “Gee, that’s peculiar” (in Eddie Murphy mocking white people
voice).
Part III. Astronauts go off to Jupiter on
a big ship. The computer, HAL 9000, suddenly goes apes**t and kills off
all but one of the astronauts. The surviving astronaut, Bowman, succeeds
at neutralizing the computer and continuing the mission.
Part IV. Bowman makes it to Jupiter and
enters the master monolith, which was just floating out in space. After
an extended, very trippy light show, he winds up inside a fancy hotel room,
grows old, and becomes a fetus (mother unknown).
After witnessing this for two hours, most of us (even
those partaking of chemicals or herbs to enhance the movie-watching experience)
have the same reaction: W T F?
Here’s the explanation the novel provides
but Kubrick did not.
Part I. Apes can’t do much except hoot and
holler, even at each other. The leopard is at the top of the food
chain. The monolith comes from nowhere (this is 3 million years ago) and
scans, probes, and analyzes the apes. Finally it puts the suggestion in
the alpha male (Moon-watcher) head of “try making a tool out of something”.
Moon-watcher crafts a crude club, teaches the others to do the same (and
sharpen stones, etc.) and pretty soon they’ve got the idea. Now they can
not only assert dominance over the competing tribe of apes, but also take down
the much-feared leopard and jump to the top of the food chain. This sets
the apes on the road to humanity – to become us. (“And there was much
rejoicing.”)
Part II. Humans find the monolith on
the moon. It is clearly NOT natural and was deliberately buried on the
moon, though with an unmistakable magnetic signature someone was sure to
recognize and start digging. Whoever left it there, left it there to be
discovered. Sure enough, when uncovered and exposed to sunlight, it
immediately sends a transmission in the direction of Saturn (movie:
Jupiter). The monolith is 3 millions years old, so it’s clearly
alien. And the aliens are probably not from Earth, Mars, Jupiter, Saturn,
or anywhere else in the solar system. Whatever is on Saturn is most
likely itself a relay to the stars.
Part III. 5 astronauts are on Discovery,
two remaining awake and the other three in suspended animation. Another
ship, Discovery II, is being built, but will not be ready for
several years. The plan is that once this crew reaches Saturn, they will go
into stasis (cared for by HAL) and the next ship will wake them up when they
get there. That’s the plan, at least.
HAL 9000 abruptly decides – on its own – that for some reason, the astronauts
are inimical to his plan and must be wiped out. It sets Bowman off on a
wild goose chase to fix an antenna that isn’t broken. It shuts down life
support on the sleeping astronauts, killing them. It also
killed Poole, the other conscious astronaut. Bowman, exercising
extreme discretion and care, manages to deactivate HAL. However, since he
knows the next ship won’t be there for years, and he would need HAL to remain
in stasis, deactivating HAL means the trip to Saturn will probably result in
his death. Nevertheless, he decides to complete his mission and see what
happens.
He does reach Japetus, the moon of Saturn on which the master monolith exists,
and manages to “enter” it. Light show? Yes.
Hotel? Yes. However, this proves to be a gate to another dimension,
and Bowman…well, I don’t want to spoil the surprise. But suffice to say
that Clarke actually DOES explain what happens to Bowman, and it differs
considerably from the movie ending.
Normally book & movie complement each
other so that reading the book is not necessary to understand the movie.
Not so here. My recommendation would be to read the novel, then watch the
movie again (no matter how many times you may have seen it before) and enjoy it
now that you can FINALLY understand what is really going on. Voila!
2061. Obviously takes place 50 years after 2010. Two separate plotlines converge: a celebrity mission onboard the spaceship Universe lands on Halley’s Comet – with Heywood Floyd aboard – and a spaceship Galaxy crashlands on Europa, a former moon of Jupiter, now a planet of Lucifer, the Jupiter-turned-into-a-star. There’s a spectacular theory about a diamond-shaped object on Europa. Dave Bowman returns – in spirit. Lots of fun stuff going on and very much worthwhile reading, especially if you enjoyed the prior two stories. It was NOT made into a movie.