It starts off shaky, but eventually hits its stride, so bear with it..you'll get a taste of both the Greaseman and Howard Stern at their peak in the 80s/90s.
Friday, January 30, 2009
Greaseman Howard Stern ABC News Story
It starts off shaky, but eventually hits its stride, so bear with it..you'll get a taste of both the Greaseman and Howard Stern at their peak in the 80s/90s.
Spirit of Radio
I’m not a big fan of radio, either for music or for talk radio. I never listen to the radio in my apartment – I can’t be bothered to hook up any sort of antenna – and in the car I listen to the CD player 90% of the time. The radio tends to come on if, due to some oversight, I have no CDs to listen to in the car. But here are my opinions on the topic anyway.
Unlike music, I don’t have various personalities in my apartment, in my car, or on CD, talking about various different issues. These are people mostly speaking live and commenting on events as they occur. Relative to music, I consider talk radio to be a more appropriate use of the medium. Even so, I listen to mere minutes of talk radio a month, only in the car, and only if I don’t have a CD to listen to.
Although Stern would often have strippers and porn stars on the show, this has two drawbacks. First, it’s RADIO, so we can’t see these women even if they stripped nude in the studio (can we hear her breasts??). Second, even on the cable show, invariably broadcast long after any child’s bedtime, 100% of the nudity is pixilated out. As a practical matter, the only way to experience any of the nudity would be to show up in person. You’d be better off taking a note of who the porn star was and simply buying or renting her movies. So Stern’s show is really more of a tease than anything truly satisfying. Currently he’s on Sirius, formerly on WJFK.
1. Inside jokes about Buzz, Rob Spewak (sic), Dennis Murphy (whoever that mushmouth guy was who would always call in), Joe Ardinger, etc. Even when I knew who they were talking about, it was still annoying. Moreover, they would always interrupt Buzz when he was trying to read the news, with inane and stupid remarks leftover from whatever they were discussing before the news segment started.
2. Busting on other DJs. With regard to the Greaseman, who they would crucify mercilessly, it was kicking him when he was down and shamelessly pandering to their minority listeners. With regard to other DJs, it tended to be talking about how lame the other shows were, how other DJs ripped them off, and other petty issues. Whatever accusations of lameness were leveled at competing DJs, I’d heard enough of their own show to know they applied equally well to them. Enough.
3. “Arbitron ratings”. A certain portion of the show was devoted to them bragging about their ratings, to talking about inside stuff on the industry, and going on and on about how they were renewing contracts in certain markets, doing well in some, poorly in others, and other dull minutiae about the business side of their show.
4. When you subtracted all that other stuff, the actual original content of the show was very low. Probably the one thing that ever enjoyed was listening to Don go on about his own personal life. Mike always seemed to be bragging about himself, while Don would be more evenhanded on his own account. Overall, though the show was the “someone gave us a radio show so we can say whatever we want and mistreat the callers” show.
You would think I’d prefer music on the radio than talk. But I guess I’m stupid: why listen to music on the radio when you can listen to music on the tape deck, record player, CD player, iTunes, etc.? I have the CDs, etc. and know how to use the equipment. Why should I let some DJ determine what I’m going to hear? If I want to hear it, I probably have it on CD already. If I want to be surprised, I’ll select the party mix feature on iTunes to shuffle things around. One thing DJs do not do, is play obscure songs you can’t find on CD (with the very rare exception of radio-broadcast concerts or studio sessions – which eventually end up on CD anyway). The songs by any band that get played on the radio are the most popular ones, thus if you like the band you probably have the song already. And in this day of $.99 songs on iTunes, if you like the song but don’t want to buy the whole album, you can buy the song on iTunes and listen to it whenever you want.
Friday, January 23, 2009
Bloodrock - Lucky in the Morning
Bloodrock
MORE obscure rock – as if Brazilian & Italian progressive rock from the 70s wasn’t weird enough.
This was a band from Fort Worth , Texas , who had their very brief peak from 1970-72. They were discovered by Terry Knight, famously associated with Grand Funk Railroad. Their classic lineup, with which they recorded their first 4 albums Bloodrock, Bloodrock 2, Bloodrock 3 (which I have on 8 track as well as CD), Bloodrock USA (with its cool cartoon cover) and the live album Bloodrock Live, was Jim Rutledge (vocals), Lee Pickens (guitar), Nick Taylor (guitar), Ed Grundy (bass), Stevie Hill (keyboards) and Rick Cobb (drums).
Their “hit” was “D.O.A.”, a chilling song about a man who survives a plane crash, only to find himself critically injured and seriously disoriented in a hospital bed. I’ve even heard the Greaseman (off-color DJ from DC, similar to Howard Stern) refer to “D.O.A.”, and also read a reference in the Washington Post Style section. My favorites are “A Fantastic Piece of Architecture”, “Breach of Lease”, “Magic Man”, “Kool Aid Kids”, “Cheater” and “Jessica” (no, not the Allman Brothers song).
With most bands, although they invariably end up with “greatest hits” which appear on all the compilations and live albums, there are also quite a few forgotten gems which get lost in the mix and only remembered by die hard fans. Bloodrock (the first album) is solid throughout, whereas on Bloodrock 2 and 3, the songs which ended up on Live are in fact the best songs.
After USA , Rutledge and Pickens left, replaced by Warren Ham. With him they did two albums, Passage and Whirlwind Tongues, and a third unreleased album, Unspoken Words. These three feature flute – sounding very much like Jethro Tull – and a more progressive (!) direction. I’m not too crazy about these albums, as the quality is way down from the prior ones, an experiment which really did not work.
They had a reunion show recently, on March 12, 2005, which I picked up on DVD. They played at the Ridglea Theater in Fort Worth, Texas, which was strange – a high ceiling and very bright lighting – but the band nailed the songs down well, almost verbatim from Bloodrock Live, and appeared thrilled to be doing it again once more for a very appreciative audience. Setlist: “Castle of Thoughts”, “Lucky In the Morning”, “Breach of Lease” (my favorite), “Doublecross”, “Jessica”, “D.O.A.” (of course), “Kool-Aid Kids”, “Children’s Heritage”, “You Gotta Roll”, and “Song For A Brother”.
For some reason, their music takes me back to the 70s growing up in the US, in a way few other bands can achieve – in fact, this band, more than any other (including KISS or Grand Funk Railroad), seems to do that best. Although I was only a kid back then, far from even high school, the songs evoke high schools, 70s cars, 8 tracks, and all the things we usually associate with that era, for those of us old enough to remember it, however vague our memories might be. The music acts as a strange sort of hypnotism, casting our minds back, so if we close our eyes and simply listen, it’s almost like we’re really back there – like Christopher Reeve traveling back to the turn of the century in “Somewhere in Time”.
Friday, January 16, 2009
More Proletarian Adventures
Much earlier I had described my pre-law adventures. I had left out the fast food experience, and have some post-law experiences to share as well – for those who bother to read these things. [In this case, I preferred to use images from “Clerks II” – particularly that impressively delicious poster of Rosario Dawson...sorry, I couldn’t resist!]
I ended up quitting after six weeks as the money was minimum wage and not worth the long hours and bullshit. It wasn’t so much poor treatment by management – most of the managers were fairly cool and laid back (except for one dick who always made me mop up whenever the customers were gone), and some of the assistant managers were fellow students. Mostly it was the work itself I didn’t like and this business of being kept an hour after closing to clean up.
Friday, January 9, 2009
Ang Lee's Lust, Caution Trailer
The trailer for the first of the two films I mentioned - gives some (!) idea of the drama and eroticism of this film.
Black Book vs. Lust: Caution
Time for more movie comparisons. This time, two WWII films involving lust, passion, and betrayal.
Some Dutch woman, Ellis de Vries, Jewish, has to infiltrate the top SS installation in that part of Holland . Remarkably, it’s April 1945 and somehow this area is still in German hands while Berlin is basically Russian territory, and Adolf Hitler is just days from blowing his brains out. The SS commander, Hauptsturmfuhrer (Captain) Muntze, quickly determines that Ellis is Jewish and figures out she’s a spy. But he likes her so much that he doesn’t blow the whistle on her [actually, it’s debatable whether Yee was “on to” Wong all along, or whether he only found out later; I suppose the viewer will have to make that call, as I couldn’t]. In fact, he turns out to be the most sympathetic character of the whole film. Even the Dutch resistance fighters turn out to be (A) anti-Semitic, (B) cynical, (C) not above dealing with the Nazis themselves when it’s in their best interests. One by one, several different mysteries are solved and who we thought of as heroes turn out to be far less so – how cynical do you have to be, that an SS officer is the HERO of the film. It’s entertaining for these twists alone. Also, there is lots of violence and lots of sex too. So it’s a juicy film.
Friday, January 2, 2009
Rommel
“We have a very daring and skillful opponent against us, and, may I say across the havoc of war, a great general.” Winston Churchill
Interesting: very early on he came to the conclusion that the best tactic was not to find some cover, pick a target, and shoot carefully; rather, it was to charge forward, guns blazing in the enemy’s general direction. Although the firepower appears indiscriminately applied, in practice it forces the enemy to keep their heads down and they will ultimately be smashed by the infantry/armor forces when they do reach the enemy lines.
Little understood is the fact that the German panzer divisions were mostly outclassed by their opponents. A substantial portion of the German tanks were Mark I and II models with machine guns and 20mm cannon respectively, originally intended as nothing more than practice tanks to learn tactics in maneuvers, and never intended to actually go up against enemy armor in combat. Even the Mark III and IV tanks, which were a minority, were only barely a match for the French tanks. The Czech tanks the Germans used were apparently in between. The 37mm anti-tank gun commonly used was practically worthless, though even at this early stage the Germans were using the dreaded “88” in an anti-tank role. Fortunately they had complete air superiority, which worked in their favor. Where the Germans truly shined and defeated the Allies was by (A) putting radios in all the tanks, and (B) concentrating them into armored divisions instead of spreading them out piecemeal in support of infantry units. Unfortunately for the Germans, their enemies soon learned from them and turned this around – as Rommel found in his next “adventure” in North Africa .
After stunning successes in Cyrenaica (eastern Libya ) by October 1942 the Afrika Korps had reached Egypt and El Alamein, and was threatening to break forth into the Middle East . By this point, however, London – unlike Berlin – realized how important this front was, and began throwing in far more tanks and troops, and achieved air superiority. Moreover, Berlin & Rome had essentially cut off Rommel on supplies and petrol – whatever such supplies could make it to him running the gauntlet of the Royal Navy. Whereas the British could afford to throw in fresh troops and rotate their forces, Rommel had the same two Panzer divisions he started out with and almost no replenishment.
At El Alamein , Rommel was decisively pushed back, and unable to retake the offensive. It took all his skill and intelligence to keep his army intact as it retreated from Egypt , across Libya – passing all the territory which he and his men had fought so hard to take over the previous months – and eventually winding up in Tunisia , trapped between Montgomery and Eisenhower. He was recalled to Berlin before the end, which was the surrender of the Axis forces in Tunisia , instead of their rescue and transport to Italy , in March 1943.
Throughout the battles in North Africa, from April 1941 to March 1943, Rommel persistently fought as much against his superiors in Rome and Berlin as against the British. From June 1941 onwards, the Russian Front drew the majority of Berlin ’s attention, with North Africa considered a losing front. To the contrary, according to Rommel, this was a front with enormous strategic potential. The Middle East was very lightly defended, yet rich in oil. With a few more divisions, he could break through the British lines in Egypt , take the Middle East (mainly Iraq and Persia/Iran), and even loop up to the Caucasus and steal the Russians’ oil fields there. In one fell swoop he could solve Germany ’s oil issues AND assure a strategic victory on the Eastern Front. But he couldn’t convince anyone in Berlin of this idea.
Aside from Mussolini and Hitler themselves, the Germans and Italians never seemed to get along very well during the war. The Italians thought the Germans were arrogant and stuck up, while the Germans did in fact look down on the Italians as incompetent clowns. The Italians were always the weak point, and their collapse at El Alamein meant the entire side had to give in – similar to the buckling of the Romanian and Hungarian flanks protecting the German Sixth Army in Stalingrad , resulting in that army’s encirclement and defeat.
1. Hitler was aware, in 1943, that the war was going to be lost, and shared this candid assessment with Rommel. At this point he was still somewhat clearheaded and had not yet degenerated into delusional madness.
2. Later on, Hitler developed a perverse conviction that if the war would be lost, he would see to it that Germany would be destroyed in the process.
3. A separate peace with the Allies would be desirable. This would allow the Germans to send their Western armies eastward and give them a fighting chance of defeating the Russians. There was some speculation on Rommel’s part that the Allies were sufficiently at odds with Stalin that they would even consider a separate peace with Germany , for precisely this reason. But in any case, this required successful defeat of the Normandy invasion. Once the invasion was successful, the Allies were no longer inclined to accept any sort of conditional surrender.
4. For his part, Rommel had phenomenal admiration for the US . Not only did the Americans quickly grasp and learn mobile warfare, they were stunning at logistics and supply. Here was an enemy which could easily outproduce the Germans by several orders of magnitude AND were well capable of taking full advantage of these material advantages. As far as he was concerned, so long as the Americans were involved in the war against them, defeat was a foregone conclusion.
5. By contrast, the Russians were brutal. Soviet military doctrine appeared to be: overwhelm the opponent by sheer weight of numbers of tanks, artillery, and manpower. The Soviets had an almost inexhaustible supply of men and no reservations about feeding them into the meat grinder.
6. Hitler spoke of his “special, secret weapons” (jet fighters, V1 and V2 rockets – but absolutely no mention of any nuclear weapons) but Rommel considered these to be nonsense. Any such weapons, to the extent they had any, were too few to make a difference and their only substantial role was to act as a form of false hope to boost the morale of the soldiers.
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