Friday, August 8, 2014

Dallas Buyers' Club

Months after the Oscars, if I haven’t seen the top films already, I may deign to put them on my Netflix queue and watch them at my leisure.  The Academy has a tendency to favor artsy-pretentious films (“The Artist”, “The English Patient”, “Life of Pi”), politically charged films which advance a Blue State agenda, and of course the old fall-back, any films highly favorable to the GLBS community or its agenda.  

Is there good acting here?   Should we be impressed that Matthew McConaughey and Jared Jeto dropped upteen pounds for these roles?  Should Leto’s transformation into uber-drag-queen Rayon go unnoticed or ignored?  All valid questions, and perhaps we shouldn’t dismiss this film out of hand simply because we’re uncomfortable with the subject matter: AIDS.  On the other hand, “just because you tolerate something doesn’t mean you have to like it.”  So when we strip away the “drama”, what are we dealing with here?

Ron Woodruff (McConaughey) discovers he has AIDS – this was in 1985, when the disease first started becoming known.  According to the film, he caught it from unprotected sex with a female heroin user, possibly a prostitute.  The person who gave it to him is never identified (possibly he never found out), and neither his straight friend who shared his female lovers, nor those lovers, are portrayed as contracting the disease themselves.  In any case he was careless about his sexual partners and very promiscuous – plus he used drugs.  You know, the biblical “Prodigal Son” lifestyle. 

Ok, so what does he do now?  The first major drug was AZT, but due to FDA regulations it had to be “tested” first, which meant double blinds and placebos to the control group.  Woodruff initially procures AZT from a hospital worker until the hospital tightens things up.  Then he goes to Mexico and finds a doctor, Vass (Griffin Dunn) who knows that AZT – at least in the existing dosages – is garbage and has better results with a cocktail featuring vitamin supplements (totally legal in the US), an “unapproved” drug, DDC, and a protein which the FDA knows is safe.  In other words, leave it to a rogue doctor in Mexico to come up with a better treatment than the fancy rich folks in the US. 

In addition to setting up the framework of a smuggling operation, Woodruff-as-Walter-White finds his “Jesse Pinkman” – the marketing genius – in Rayon (Jared Leto), a transvestite drag queen.  They form the Dallas Buyer’s Club, a $400/month “club” which distributes “free” AIDS pharmaceuticals out of a motel room.  He also befriends Dr. Eve (Jennifer Affleck) who can see for herself that the clinical trials of AZT are obviously flawed.

In addition to Mexican sources, Woodruff travels to Europe and Japan to find alternative sources – whatever he can find, however he can do it.   This itself takes some ingenuity, persistence, and diligence.

Naturally, the FDA wasn’t asleep at the switch.  After some cat-and-mouse business, eventually the FDA succeeds at shutting down Woodruff’s operation, and an appeal to the US District Court in California eventually fails when a sympathetic judge, able to see the forest for the trees, nonetheless has to acknowledge that he has no authority to grant the relief requested:  victory for the FDA.  Bravo, Mr. Peck, you’ve shut down the containment field.  (Yes, I know, different agency.)

Interestingly enough, the FDA doesn’t come off as homophobic here.  Rather, it’s an entrenched bureaucracy trying to defend its turf and its “way of doing business”, plus it has a vested interest in remaining cozy with the pharmaceutical industry.  Even without any homophobic bias, however, the FDA is still hidebound, inflexible, and utterly devoid of imagination and compassion.  This is the government, remember, protecting us from snake oil salesmen, patent medicines, and other harmful quackeries from the early twentieth century - just doing its job, right?  The private sector would penetrate us six ways to Sunday were it not for good old Uncle Sam, right?  If nothing else, this movie should get the liberals who love the GLBS community rethinking their blind faith in the infallible government and its superiority over the wild, untamed private sector – you know, that unscrupulous doctor down in Mexico doing who-knows-what with the lives of AIDS victims.

What about Woodruff’s motives?  Since he himself had full-blown AIDS, clearly he had a personal interest in establishing a working “cocktail” of treatment, whether the FDA approved of it or not.  Sometimes he comes off as money-motivated, which perhaps he was; though if he was truly out to fleece his fellow AIDS victims, somehow I doubt this film would have seen the light of day.  Most likely he was simply trying to cure himself and others and possibly turn the operation into a self-sustaining enterprise, and maybe even reform the FDA’s regulatory procedures in the process (scant luck with that, though).  Ultimately he died of AIDS in 1992, seven years after an initial prognosis of 30 days to live (in 1985). 

However, there’s another angle I wasn’t keen on.  My “gaydar” suggested that Woodruff, although portrayed as a heterosexual throughout the film, was probably bisexual, if not gay.  I’m led to understand that in fact he was.  But how sympathetic to him would we be, as straights watching the film, if they were honest about his lifestyle?   Outside the US, off in Africa where married men consort with prostitutes as a matter of course, AIDS hits the straight community pretty hard.  But here in the US, aside from outliers like Magic Johnson, the AIDS problem is almost entirely that of gays & heroin addicts.  If the film was honest about Woodruff, chances are most straights would write this whole thing off as, “what do we care if gays and junkies die of AIDS?”  Even without joining the Westboro Baptist Church and barking and braying that “God Hates Fags”, our tolerance hardly stretches far enough to warrant throwing our time, money, and efforts at an issue which primarily concerns a disfavored minority of our society. 

Again, the GLBS community has a right to ask for tolerance, forbearance, and perhaps a little compassion.  But beyond that, it can’t expect the rest of society to shoulder the cross and jump into the fray.  We’ll remain neutral, we won’t put up obstacles, we won’t fight you.  But it’s up to us to determine exactly how much help we feel comfortable giving.  That, I maintain, is not homophobic.

Finally, even allowing for a pro-GLBS bias in Hollywood, McConaughey and Leto did achieve remarkable transformations.  Leto’s was just short of the Andy Serkis-as-CGI-Gollum, but in live action.  Bravo!  

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