Few
may realize this, but Rise Above Records does:
before Steve Harris formed Iron Maiden in 1975, there was another band
by the same name, right outside London.
This band, however, didn’t even manage to release an album before
disbanding into almost complete oblivion in 1970.
The demigods at RAR managed to cobble together an album’s worth of
unreleased material into Maiden Voyage.
What
does it sound like? Well, nothing like
the Iron Maiden we know and love, not even in 1980 format, as a New Wave of
British Heavy Metal (NWOBHM) band. This
incarnation – Steve Drewett (vocals), Trevor Thorns (guitar), Barry Skeels
(bass) and Paul Reynolds (drums) – sounds more like what I’d call third tier
70s jam rock – Bloodrock, Dust, Atomic Rooster, Bang, and Sir Lord
Baltimore. There’s a fair amount of extended
solos. It’s classic obscure 70s rock at
its…optimal. Earlier versions of the
band opened for Jethro Tull, Fleetwood Mac (Peter Green era), King Crimson, and
the Edgar Broughton Band.
What
happened? They did record enough for an
album, which was going to be called Maiden Voyage, but the record
company, Gemini, went out of business before it could be finished and
released. With that, the band
“disbanded, intermarried, and moved into condominiums.” No, they just got day jobs and forgot all
about it.
Somewhat
less obscure – because they actually did manage to put out two albums, Skid
and 34 Hours – are Gary Moore’s Skid
Row, from the late 60s and early 70s Ireland. Gary Moore we know as a solo artist and as a
guitarist for Thin Lizzy, though
he’s only on one studio album, Black Rose; singer/bassist Brendan
“Brush” Shiels and drummer Noel Bridgeman complete the power trio. A third album was recorded but never
released, and then re-recorded with another guitarist, Paul Chapman – who later
joined UFO. Eric Bell of Thin Lizzy also
joined briefly, between Moore and Chapman.
After Moore’s departure in 1971, Shiels reformed the band several times,
but never quite kept it going.
Moore
and Sheils appear to disagree about what happened with the 80’s hair metal
band. Sebastian Bach claims they paid
Moore $35,000 to acquire the name, but Shiels insists he never saw that money –
possibly Moore simply pocketed the money without telling Shiels about it. By that point Moore was an established solo
artist, whereas Shiels was still trying to keep it going without much
success. Certainly, even the Gary Moore
incarnation, despite two albums and support tours, never came close to the New
Jersey band’s success.
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