It
seems the Beatles album everyone goes nuts for is Sgt Pepper, but
myself, John Lennon, and Charles Manson have a different preference, the self-titled
double album released in November 1968, better known as simply the White Album.
My
introduction to the album came from the “Blue Album” compilation, The Beatles
’67-70. But only three tracks, “Back
in the USSR”, “While My Guitar Gently Weeps”, and “Ob-la-di, Ob-la-da” made it
onto that compilation – barely the tip of the iceberg.
I
did get it on vinyl – the American version, in stereo. It included 4 portrait photos of the band and
a poster, one pic showing John naked on a bed.
See that once and then fold up the poster forever. Most of the material was written when the band
was in India, but recorded in the UK when they returned. Ringo quit the band briefly, later persuaded
to return.
Back in the USSR. In March 1983 our school trip took us to the
USSR – back when it still was the USSR.
I brought my Walkman (remember those?) and several tapes, including this
one. We all gathered in our room at the
Hotel Bratislava in Kiev and listened to this one. I seem to recall we even sang the chorus to “Rocky
Raccoon”.
Side 1. “Back in the USSR”, “Dear Prudence”, “Glass
Onion”, “Ob-La-Di, “Ob-La-Da”, “Wild Honey Pie”, “The Continuing Story of
Bungalow Bill”, “While My Guitar Gently Weeps” (with guitar by Eric Clapton), and
“Happiness Is A Warm Gun”. Of these,
the opener and “While My Guitar Gently Weeps” are my favorites. “Happiness” took awhile to grow on me, but I
eventually accepted it.
Side 2. “Martha My Dear”, “I’m So Tired”, “Blackbird”,
“Piggies”, “Rocky Raccoon”, “Don’t Pass Me By”, “Why Don’t We Do It In the Road?”,
“I Will”, and “Julia”. RR used to be my
favorite at first, but I immediately liked “Don’t Pass Me By” and got hooked on
“I’m So Tired” on the Russia trip.
Side 3. “Birthday”, “Yer Blues”, “Mother Nature’s Son”,
“Everybody’s Got Something To Hide Except For Me And My Monkey”, “Sexy Sadie”, “Helter
Skelter”, and “Long, Long, Long”. “Helter Skelter” is my favorite, one of the heaviest
songs the Beatles ever recorded: thank you, Paul.
In
fact, I liked “Helter Skelter” so much, that for a long time I never got around
to listening to Side 4 [the same reason I ignored side two of Led Zeppelin
IV, after the final track of side one].
I mean, how could they top “Helter Skelter”?
Side 4. “Revolution 1” [much slower than the single
version of “Revolution”, which I prefer], “Honey Pie”, “Savoy Truffle”, “Cry
Baby Cry”, “Revolution #9”, and “Good Night”.
#9 is one of the Beatles’ worst songs, and Yoko Ono’s role in this is
probably why. As annoying and
unlistenable as R#9 is, your reward for continuing to the end is the delightful
“Good Night”, sung by Ringo. Nowadays
with CD players and iTunes you can simply > to “Good Night”, but with vinyl
you’re rarely motivated enough – even by R#9 – to get off your ass and move the
needle.
In
addition to the trip of seeing Tony Iommi play guitar with Jethro Tull, and an
excellent performance of “A Quick One” by the Who, another advantage of
watching the Rolling Stones’ Rock’n’Roll
Circus is to see “Dirty Mac” (Lennon, Clapton, Keith Richards on bass, and
Mitch Mitchell on drums) play “Yer Blues”, although the usually talented
Clapton completely drops the ball on the solo.
The Stones’ own performance is actually pretty good. Brian Jones was still there, Keith plays a
Les Paul Custom, and Mick has yet to degenerate into his androgynous persona of
the 1970s. They’re promoting Beggar’s
Banquet, but the material is solid.
Helter Skelter. We can’t do this without mentioning Manson,
can we? Vincent Bugliosi, the L.A.
prosecutor who put Manson and his family behind bars, studied Manson’s views
extensively to develop his theory on the case.
Why did Manson order his followers to murder Tate & her friends, and
the LaBianca couple? Since Manson
himself did not murder anyone, Bugliosi had to have some sort of explanation for
a conspiracy.
Manson believed that a race war was
inevitable between blacks and whites in California. The blacks would win, of course, but they
needed some encouragement. Manson hoped
that attacking affluent whites, while having his lunatics scrawl “PIGS” and
such on the walls, would convince whites that blacks were behind this and stoke
up white hatred for blacks. Instead,
everyone just realized the killers were crazed lunatics, regardless of what
race they were. By the way: Manson’s plan was that after the blacks took
over, they would be clueless on how to rule.
The Manson family, having hidden out in Death Valley while the war was
going on, would emerge safely, confront the blacks, and put them in their
places telling them to “go back and pick cotton”. Yes, that was what the Beatles supposedly
told Manson in “Helter Skelter”.
Sgt
Pepper
is an excellent album. And coming right
after Revolver, it blew people’s minds.
Hell, I can even enjoy “Within Without You” (though when it comes to
Harrison’s Indian-flavored material, I prefer Revolver’s “For You To”). The White Album is all over the place. While it has two of the worst songs (“Wild
Honey Pie” and “R#9”) it also has some of their best, including “While My
Guitar Gently Weeps” and “Helter Skelter”. I suppose after being treated to a concept
album, this heterogenous mix is a letdown; I beg to differ – leave consistency
to concept albums and allow the rest to be enjoyed as they were meant to be, as
a collection of songs which may have nothing to do with each other but share excellence.
To me it’s an epic masterpiece, and
deserves more recognition and respect relative to Sgt. Pepper. Enjoy.