I’ve
been listening to a bit more of this guy lately, in particular, Gods And
Goddesses and Punk Rock Guilt.
Prior to that it was Jalamanta, Saved By Magic, and Black
Flower Power.
In
the beginning: there was Kyuss, famous for giving us Josh Homme,
the lead dude of Queens of the Stone Age.
With that band he’s on Wretch, Blues for
the Red Sun, (Welcome to) Sky Valley and ....And The Circus Leaves Town. Since Kyuss are also famous for being one of the
first stoner rock bands, and are still well esteemed to this day, that alone
would give BB solid stoner rock credentials.
Then
it was Fu Manchu, for the albums, No One Rides For Free, The Action
is Go, Jailbreak, Eatin’ Dust, King of the Road (their
best album), and California Crossing.
QOTSA
bassist Nick Oliveiri had a falling out with Homme – who can be a bit
strong-minded about running his band – so he wound up making his own band, Mondo Generator, which has two studio
albums, Cocaine Rodeo and A Drug Problem That Never Existed, both
of which BB is on.
Solo. He has 7 albums as “Brant Bjork” (Jalamanta,
Brant Bjork & the Operators, Keep Your Cool, Local Angel,
Tres Dias [a compilation with only one unique song], Punk Rock Guilt,
and Gods & Goddesses), two as “Brant Bjork and the Bros” (Saved
By Magic and Somera Sol), and one with his “Low Desert Punk Band” (Black
Flower Power). The solo distinction
is that with the prior bands, he was playing drums, whereas now he’s playing
multiple instruments and seems to be on guitar & vocals live – basically doing
a Dave Grohl/Foo Fighters switch. I
suppose you could call him the Dave Grohl of stoner rock. What’s even funnier is that Grohl himself
played drums briefly with Queens of the Stone Age and teamed up with Josh Homme
and John Paul Jones (yes, the Led Zeppelin bassist/keyboardist) for Them
Crooked Vultures.
Although
I haven’t heard all his material, I’ve heard the Kyuss, the Fu Manchu, about
1/3 of his solo material. It all
qualifies as stoner rock, and all has a definite groove of coolness. I’ve seen him in concert a few times,
although only as a drummer: Kyuss (1995), Fu Manchu (2002), and Kyuss Lives
(2011). I’m still trying to catch him
playing a tour as his solo band.
Note:
despite the term “stoner rock”, much of this music is not psychedelic at all,
and Bjork’s stuff is not either. It’s
riff driven, with some bands like Bjork’s having a definite groove element to
it, almost “heavy-funky”. The scene also
includes bands which are much slower and sludgier (“doom”), such as Electric
Wizard and Acid King (imagine Black Sabbath’s “Into the Void” – but even
slower), or others which pick up the tempo considerably with a quasi-thrash
vibe, like High On Fire. It’s not music
which requires marijuana to enjoy, but many of its fans are proud tokers, and
some bands even celebrate it in their names:
Bongripper, Bongzilla, Weedeater, Weedpecker, etc. The genre seems to take Black Sabbath as its
starting point, and then spliff it up with some weirdness, a la Pink Floyd, or
what I call Black Floyd. They inject
just enough originality to avoid simply being de facto Black Sabbath tribute
bands, but they often sound very much the same as each other.
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