I originally addressed this issue in a blog from 2008,
when cassettes were still a dead and obsolete format. Now, after vinyl, cassettes are making a
comeback. I addressed the vinyl
comeback in 2014, now I’ll tackle this second resurgence.
First, I’d like to address vinyl one more time. I
think I’ve found the reason so many people swear that vinyl sounds better than
CD. Rather, two reasons.
“The Emperor’s New Clothes.” The Vinyl Prophet cynically believes that
arrogantly asserting a counterintuitive claim – “I’m wearing clothes when it
appears I’m not” OR “vinyl is superior to CD” – can be achieved with a surplus
of confident arrogance. “I know
something you don’t!” i.e. only people as smart as I am can recognize that I’m
right.
There is NO logical reason why vinyl should sound better
than CD. CD technology is more advanced
– digital, from the 1980s and later – whereas vinyl technology, in the form of
33 1/3 RPM LPs, dates from the late 1940s, and the basic technology dates from
the early twentieth century. 180 grain
vinyl is still the same technology, just a thicker slab of vinyl, that’s
all. It’s purely analog no matter how
thick the vinyl.
“Thank you, Colorado.”
Another reason may be that the listener is enhanced by THC. You can’t listen to vinyl in your car, at
the gym, walking down the street. You
have to listen to it at home, on a turntable going through a stereo. When you’re at home you’re also at liberty to
indulge in any herbal remedies you might otherwise enjoy in that private
environment. Combine the two together
and you have a rich and enjoyable musical experience, but perhaps also the
erroneous conviction that vinyl is better than CD. Nope, that’s the THC talking, another
example of what I call “recreational stupidity”. Not that weed makes you stupid, temporarily
or otherwise, but to non-stoners it may appear that way, especially when you utter
faux-profound statements under the influence which impress only others feeling the
same way.
Cassettes. Back to these. In the 1950s, the prevailing methods of
listening to music were vinyl and reel-to-reel.
Neither of these were practical for cars, which up to this point were
limited to radios. Bill Lear, of Lear
Jet fame, invented 8 track cartridges (the “car” in “cartridge” referring to
automobiles) expressly for the purpose of having a format which was practical
in cars. By 1962, Phillips had invented
cassettes, and by the late 1970s cassettes defeated 8 tracks as the preferred format
for car stereos.
Cassette Deck. I have
a Pioneer dual deck, which I wound up removing since I wasn’t listening to
tapes anymore. It still works, it’s just
gathering dust in my closet. Crutchfield
sells a TASCAM dual deck for $500 which will allow you to convert your cassette
tapes into digital files.
Car Stereo. I got
my driver’s license in 1986, and my first car, a 1984 Chevrolet Cavalier, in
1988. It had a Delco (OEM) auto-reverse
deck which worked most of the time. My
1992 Pontiac Firebird (base model, loaded with all the options) had a deluxe
tape deck, my 1992 Pontiac Firebird Formula 350 (only option: the 5.7L V8) the
bare bones OEM tape deck, which I replaced with a Pioneer unit from
Crutchfield. I remember my buddy Phil
with his early 70s Mercedes 450SLC with only a radio. Aside from hearing Pink Floyd’s “One of These
Days” for the first time thanks to either DC101 or 98 Rock, mostly the distinction
was not having a tape deck.
My current
car, a 2009 Dodge Charger, has the stock CD player. I’m seeing cars these days from the factory
with no CD player at all, just AUX and USB inputs for iPods, etc. Fortunately Crutchfield is still around…
Boom Box. A large,
portable cassette deck with big speakers.
Ostensibly de rigeur for those whose relatives originally came from
Africa and now prefer to share their urban-oriented music with everyone else
within earshot, you could of course boom anything from a boom box: “Sinner”, by Judas Priest, or classical music
should you be so inclined. But not
everyone will appreciate your sharing….
Walkman. In the
early 1980s Sony came out with the Walkman, the first practical and popular
personal cassette player with headphones.
I got one for my confirmation (Catholic thing) gift. It kept my school bus journeys in high school
more fun, then later trips on the SNCF (French railroad, local commuter lines) to
school as well. With headphones, this
meant that unlike a boom box, you could enjoy your music more discreetly
without involuntarily inflicting your particular taste in music upon everyone
else around you.
Mix
Tapes. If you’ve seen “Guardians
of the Galaxy” you’ll notice Star Lord (Chris Pratt) has his mix tape and even
in the distant future, across galaxies, keeps a cassette deck – probably the only
one in the universe – for the express purpose of listening to his cherished tuneage. Before CD-Rs came by, this was a major selling
point for cassettes. I myself made a
few, a Heavy Mix and a Ram Air Mix.
Maybe someday they’ll use mine for the third GotG movie’s villain to
inflict Black Sabbath, Sleep, and other noxious stoner rock upon everyone.
FYI, here are the mixes for GotG1 and 2. The story is that his mom made these of songs
she liked, and he keeps them because they remind him of her. Sadly, with all the great bands around
during the 70s to choose from – Black Sabbath, Deep Purple, Led Zeppelin, Pink Floyd,
the Grateful Dead, Grand Funk Railroad, KISS, etc. – his mom had to listen to
the following mediocre mom-rock tunage. “Awesome Mix”? Not even close. See below:
GotG1. Hooked on a
Feeling (Blue Swede); Go All The Way (The Raspberries); Spirit in the Sky
(Norman Greenbaum); Moonage Daydream (David Bowie); Fooled Around and Fell in
Love (Elvin Bishop); I’m Not In Love (10cc); I Want You Back (The Jackson 5);
Come And Get Your Love (Redbone); Cherry Bomb (The Runaways); Escape (The Pina
Colada Song) (Rupert Holmes); O-o-h Child (The Stairsteps); Ain’t No Mountain High
Enough (Marvin Gaye & Tammi Terrell).
GotG2. Mr Blue Sky
(Electric Light Orchestra); Fox on the Run (The Sweet); Lake Shore Drive (Allotta
James Jeremiah); The Chain (Fleetwood Mac); Bring It On Home To Me (Sam Cooke);
Southern Nights (Glen Campbell); My Sweet Lord (George Harrison) (a good song,
but come on – not his best); Brandy (You’re A Fine Girl) (Looking Glass); Come
A Little Closer (Jay & The Americans); Wham Bam Shang-a-Lang (Silver); Surrender
(Cheap Trick); Father and Son (Cat Stevens); Flash Light (Parliament) (I’d have
gone with “Maggot Brain”); Guardians Inferno (The Sneepers).
Comeback. Speaking
of stoner rock. Those bands seemed most
inclined to release their material on vinyl.
Case in point, my most recent acquisition, SLEEP live at Third Man Records,
a 4 LP set. Now in addition to vinyl, these
bands are releasing their material on cassette.
As noted above, there are plenty of useful idiots pedantically claiming
that vinyl is a superior format to CD and digital. The next person who expresses any such
opinion with regard to cassettes will be the first. So far as I can tell, this is an indulgence
purely for nostalgic purposes.
Of my own collection,
a recent review shows that 95% of what I have on cassette I have on CD. Of the 5% remaining, that’s almost all
bootlegs, which I haven’t listened to in ages – one Pink Floyd, a few Blue
Oyster Cult (1976, Eric Bloom bitching to Carter about the 55 mph speed limit),
Black Sabbath, Led Zeppelin, etc. – and few mix tapes. The little boom box I have next to my bed has
a tape deck, so I should listen to these again….