John Wick

 

By now we’re familiar with Keanu Reeves.   Depending on how geezin’ we be, it’s anywhere from “Bill & Ted’s Excellent Adventure” (and “Bogus Journey”), “Point Break”, or “The Matrix”.  Throw “Constantine” and “The Devil’s Advocate” into the mix as well.  Here are 4 more recent films of his, a series.  I’ll try to keep it brief and avoid spoilers.

John Wick 1 (2014).  John Wick (Reeves) is a retired hitman who has a beloved wife dying of cancer.  Shortly after she dies, a delivery arrives: a puppy sent by her in her last days, to keep him company after she’s gone.  I suppose she didn’t think his Boss 429 Mustang would be a sufficient companion. (Something made by Pontiac might have been enough).

Well, he goes out to fill the Mustang with gas, and a local moblord’s son, Iosef Tarasov, played by our beloved Theon Greyjoy (Alfie Allen), takes a shining to the car, and is not happy when Wick politely advises him that it’s not for sale.  The Boy sends Minions (Banana!) to kill the car and steal the dog – or vice versa.  Oops.  Not a wise move, as his father Viggo tells him that Wick is not someone to mess with (“Ohh, is he the bogeymen?” “No, he’s the one you send to KILL the bogeyman”).  And Wick spends the remainder of the film showing how true that is.

A huge body count amidst NYC clubs piles up, with NYPD, FBI, and BATF curiously absent amidst all the shooting with various different potent firearms.  Although Wick is injured, he somehow survives to continue extracting vengeance until it’s down to Iosef and Viggo to be the last victims of Wick’s crusade.

Oh, did I mention there are some heavy hitters amongst the cast members?  Ian McShane plays Winston, the owner of the Continental, a Flatiron type hotel in Manhattan which serves as neutral territory for all these people to conduct their business.  Lance Reddick (RIP) plays Charon, the concierge thereof.   Willem Dafoe is Marcus, a fellow assassin who enters the picture.  Even Adrienne Palicki, aka Kelly Grayson from “The Orville”, is Perkins, another assassin.  Who knew the underworld could support so many assassins? 

The gunfights and martial arts are all implausibly well orchestrated, which can sometimes wear on your patience.  Fortunately Wick remains likable throughout, and you want him to achieve his goals.  Well, at least I did. 

With the existence of three sequels, forgive me if I spoil it for you by pointing out that he survives these films.  Will he survive #4?  Well, watch it and find out.

John Wick 2 (2017).  An Italian mobster arrives in NYC and presents Wick with a medallion, an item which obligates the recipient to do a mission for the presenter.  In this case, the mobster, Santino D’Antonio, tasks Wick with assassinating his sister Gianna so he can take her place on the High Table, the criminal underworld’s secret council.  After Wick initially resists, having his house blown up and Winston’s advice (“you have to do the job, he has a medallion”) induce him to travel to Rome, Italy to complete the mission.  There’s a Continental Hotel in Rome, and its manager is played by Franco Nero, a famous actor most recently having a cameo role in Quentin Tarantino’s film “Django Unchained”) (yes, I know he was the original Django).  Common (yet another rap guy with a pretentious name) plays Gianna’s bodyguard and moves against Wick to avenge her, as do D’Antonio’s own army of assassins.  It frequently reaches the point where Wick runs out of bullets and has to replenish his supply of weapons and ammo from the vast body count of fresh, heavily armed corpses.  [Guess the local morgue may need to rent out a warehouse or a crematorium. Again, the police are nonexistent herein.]

Here's where it gets annoying.  NOW D’Antonio puts a bounty out on Wick to avenge his sister’s death – the death D’Antonio arranged himself.  It’s a fairly large bounty ($7 million), so every assassin in NYC comes out of the woodwork to earn it, notwithstanding the negligible likelihood of success or survival.  Again, who knew there were that many hitmen around?  Oh, and Wick gets help from Morpheus…er.. the Bowery King (Laurence Fishburne) in the form of medical attention and firearms.

Wick ultimately “resolves” the matter in a fashion which will incur him the wrath of the High Table, as we’ll see in JW3.

John Wick 3 (2019).   This time around Wick travels to Casablanca, Morocco, and the Desert, in an effort to redeem himself with the High Table by meeting The Elder.  He’s assisted by Sofia Al-Azwar (Halle Berry), a fellow assassin and manager of the Continental in Casablanca, who takes him to see to Berrada, (Jerome “Bronn” Flynn), another lowlife who can tell him how to find the Elder.  Before the Tracker and his dog, Sofia has her own canine companions who assist her in her badassness. 

More shooting.  Of course.  More absent police.  Or maybe they were just smart enough to stay away and chow down on donuts - then simply come by to pick up the bodies.  Chief Wiggums, you know.

Then it’s off to the desert to find The Elder.  The terms for re-admission to the High Table prove to be onerous, leading Wick and Winston to fight back, which induces the High Table to send an Adjudicator, played by Non-Binary Ice Bitch herself, Asia Kate Dillon (from “Orange Is the New black” and “Billions”).   And guess what?  In addition to all those assassins who take the bounties offered by the High Table, it has its own spec ops team of heavily armed and armored assassins, who – guess what - go after John Wick.  And if you know there’s a John Wick 4, you can guess what happens. 

John Wick 4 (2023).   Now Wick goes to Osaka, Japan; Berlin, Germany; and finally Paris, France, to escape the High Table idiocy by regaining membership in his original Romanian mob (led by Natalya Tena, best known as “Osha”, the wilding girl in Game of Thrones) and forcing the High Table to agree to a Trial By Combat at the Sacre Coeur (big church on the highest hill) in Paris.  However, YET AGAIN, the High Table has put out yet another asininely high bounty, and a shadow army of Paris’ muscle-car-driving assassins attempt to make sure he doesn’t make it past the Etoile, or up the steps of Rue Foyatier, to the final location.  Did I mention that Johnnie Yen plays Caine, a BLIND assassin, who seems remarkably effective despite his obvious handicap?  There’s also a black guy with a dog, “The Tracker”, who alternates between protecting Wick and trying to kill him.  By this point the High Table is now represented by the Marquis, played by Bill Skarsgard.  Clancy Brown joins Asia Kate Dillon and Toby Leonard Moore as yet more “Billions” alumni herein. The Kurgan guy from “Highlander”, who played the Attorney General in “Billions” here plays the Harbinger, a quasi-Adjudicator role of the High Table.

As a resident of Paris from 1979-1990, I was happy to see the city get such attention – Osaka and Berlin were mostly represented by buildings indoors which could be anywhere.  The parties hammer out the terms of the duel at Chaillot, opposite the Eiffel Tower.  The Bowery King meets Wick in an abandoned Paris Metro station.   The High Table’s Paris office monitors Wick’s whereabouts on a huge map of Paris with the arrondisements (the 20 different districts of Paris) marked out.  A huge shootout occurs at the Etoile itself – here’s where CGI enters the equation, as they obviously didn’t shut down Paris’ most active traffic circle just to film a movie (actually done on a green screen parking lot near Berlin).  But those steps up to the Sacre Coeur, the aforementioned Rue Foyatier, actually were shut off to film the action sequence wherein Wick and Caine have to fight their way up to the church to attend the duel. 

High Table Bureaucracy.  Oddly, the High Table, Assassin’s Guild, or whoever it is taking care of this whole network of assassins and bounties, has an elaborate bureaucracy with sophisticated networks worldwide.  They have forms, old school file cabinets, and the beloved stamps – all in oldfashioned offices with clerks and secretaries taking care of this – presumably sworn to secrecy somehow with NDAs enforced by assassins and bounties.  All for what is an illegal enterprise, to which the FBI and Interpol seem to be oblivious.  If I were a US Attorney (Federal prosecutor) I’d be amazed they’re keeping a paper trail of all this.  I suppose they expect to burn all of it should the need arise.  Maybe we’ll get a High Table backstory in a later movie, although the next film in the franchise, “The Ballerina” (featuring a character I didn’t see in #3), will take place in between #3 & 4 and is Charon actor Lance Reddick’s last role before he died.  In the meantime, enjoy these four.  

John Wick

I wanted to blog about another topic, but I’ll have to re-read the source material on that.  In the meantime, I suppose a blog about this trilogy of films, of which the most recent came out on 5/17, would be appropriate.

John Wick (Keanu Reeves) is a hitman for a mafia guy.   When the boss’ son (Theon Greyjoy) decides he wants Wick’s classic Mustang Mach 1, and Wick politely informs him that it’s not for sale, the boy gets his goons to steal the car and kill Wick’s dog, which had been a present to Wick by his wife amidst her terminal illness, a friend to keep him company after she was gone.  The remainder of the  film is Wick retrieving his stolen vehicle and extracting vengeance from the appropriate parties and their subordinates, both the boy and his father.   What’s intriguing is that Wick himself is not the only fascinating or sympathetic character:  even Viggo, the boy’s father, is not altogether evil, more like coerced by his son into adversity against Wick, who he would rather remain on good terms with.

 

John Wick 2.  Now Wick is coerced by underworld rules into assassinating the sister of one of his prior bosses, Cassini, who then puts out a contract on Wick when the job is done – talk about acting in bad faith.  The prior locale of NYC remains here but supplemented by much action in Rome, Italy.  Yet again, the other characters are made intriguing and fascinating in their own right, though the stylized violence is just as present and enjoyable this time around. 

John Wick 3.  As a result of the events of the prior film, Wick is persona non grata and the mysterious underworld forces which seem to control everything dictate that ANOTHER contract be put out on him, meaning whoever manages to kill him will earn a considerable sum of money, presumably tax-free.  Naturally Wick attempts not merely to avoid being killed – wouldn’t we all? – but also rectify the situation, though that involves an assignment to do something he’d rather not do.  This time the exotic location – in addition to NYC, of course – is Morocco, including its deserts.  Halle Berry (aka Storm) and Jerome Flynn (aka Ser Bronn) are the major additions to this chapter.   And…we’re back to the Continental Hotel in NYC.  Ian McShane, backed up by his #2 guy Lance Reddick (from The Wire) remains the articulate and charismatic proprietor of the hotel.

I’m reminded of the Matrix films, especially the overly choreographed violence.  Here they pull back on the mystical mumbo-jumbo and also place the events in the real world, no androids, robots, or virtual reality.  Wouldn’t you know it, though, Morpheus is back (Larry Fishburne), in a marginally less obtuse role – the Bowery King.  So what you have is the same implausible violence but in the so-called real world, which arguably makes it much easier to digest and enjoy.  Mind you, much of the dialogue is still somewhat stilted and pretentious – by all means, delve back into “The Big Lebowski” as a remedy – but I don’t find that enough to compromise my enjoyment. 

Of course, you’d think that the end result of putting all these contracts out on the #1 Mafia hitman, resulting – predictably enough – in the demise of those attempting to collect on them and his survival (minus a finger) – would be to make John Wick the sole surviving Mafia hitman and having a better lock on remaining jobs…. ["We need someone killed, who should we call?"  "Wick, of course.  He’s the only one left."]