This could be called “Deep Purple Marks II, V, VI, and VII”. I love those Roman numerals.
Background. Deep Purple, as most people know it, is best known in its Mark II lineup: Ian Paice (drums), Jon Lord (keyboards), Ritchie Blackmore (guitar), Roger Glover (bass), and Ian Gillan (vocals). It originally disbanded in 1976 with the so-called Mark IV lineup: Ian Paice (drums), Jon Lord (keyboards), David Coverdale (vocals), Glenn Hughes (bass), and American guitarist Tommy Bolin. Their sole album, Come Taste The Band, wasn’t bad, but live the band started off OK but descended into mediocrity when they toured overseas and Bolin couldn't sustain his heroin habit.
Coverdale went off to form Whitesnake, Blackmore had already formed Rainbow, and the other members frequently jumped from one to the other. In 1980 Mark I & Captain Beyond vocalist Rod Evans was lured into a shady promoter’s scheme to resurrect “Deep Purple” (for which Evans was the only person with any connection to the band – Mark I bassist Nick Simper wisely refused to take the bait) which backfired badly.
By 1984 the various Mark II members were ready for a reunion, and came out with a new album, Perfect Strangers. When I first saw the album in the stores, I ignored it, assuming it was another compilation album. I got it for Christmas in 1984, and was pleasantly surprised to learn it was a reunion album for the Mark II lineup. We saw them at the Palais Omnisports Bercy the following summer, opened by Mountain (Leslie West forgot the words when singing).
They followed this up with House of Blue Light (which I listened to exactly ONCE), and then a live album, Nobody’s Perfect, featuring “Hush” brought back into the set.
Mark V. Thanks to Ritchie Blackmore, Ian Gillan was fired and Joe Lynn Turner (Rainbow) was brought in for Slaves & Masters, another remarkably mediocre album. I suppose you could call this lineup (Turner in place of Gillan) as Mark V.
Mark II returns. For 1993, this was the 25th anniversary, so the rest of the band felt Gillan should come back. They recorded The Battle Rages On, and went on a remarkable tour before Blackmore quit in the middle of the tour. This time Tommy Bolin was not available to take his place. Famous guitarist Joe Satriani filled in for the remainder of the tour but declined to join the band permanently.
Note: some people are classifying the Satriani touring lineup, 12/2/93 Nagoya through 7/6/94 Bayreuth, as "Mark VI". Others are classifying the reunited Mark II lineups for Perfect Strangers/House of Blue Light and The Battle Rages On as separate marks. Both are, of course, utter nonsense. Satriani's lineup simply finished the Battle Rages On tour and did not record any new material, not even releasing a live album from that leg of the tour. And the same five members who gave us Machine Head also recorded Perfect Strangers and The Battle Rages On. Enjoy the band, but don't be stupid. Please.
Mark VI. With Satriani refusing to join the band, they brought in Steve Morse, an American from the Dixie Dregs (a band I’ve listened to none of) to take over, and he’s been in ever since. This should be referred to as Mark VI. They released Purpendicular and Abandon, both produced by Roger Glover, the bassist.
Mark VII. Eventually Jon Lord decided it was time to retire, and Don Airey took over on keyboards, resulting in DP Mark VII. This lineup recorded Bananas and Rapture of the Deep, produced by Michael Bradford, followed by Now What ?! and Infinite, produced by Bob Ezrin, with another album due out in August 2020, Whoosh!. With Lord gone, this means that Ian Paice is the only DP member in all seven lineups.
Quality. I suppose many bands like Deep Purple could rest on their laurels and cynically release regurgitated crap year after year, assuming the fans will buy whatever they put out. But Deep Purple make a sincere effort at making quality material. I can’t say it compares favorably to In Rock, Fireball or Machine Head (the classic three original Mark II albums) but it certainly doesn’t suck.
Of the post 1984 material, I'd say Now What ?! and Infinite are the strongest. The key is producer Bob Ezrin, veteran of Alice Cooper, KISS and Pink Floyd.
Live. This is up and down. On one hand, Marks VI and VII play a lot of the lesser known (but no less quality) Mark II tracks such as “Pictures of Home”, “Maybe I’m a Leo”, “Woman From Tokyo”, “No One Came”, “Bloodsucker”, etc. Part of the problem with bands which have been around for some time is that get into a fixed pattern of certain classics which MUST be played. Iron Maiden did a recent tour in which they claimed to only play songs from the first 4 albums (which must have kept Janick Gers busy) yet such was the setlist that the only song we hadn’t heard in some time was “Phantom of the Opera”. Blue Oyster Cult seem to have ONE slot (song) per set which is some random variable, with the rest of the set being pretty much what we heard on the last tour. Granted, we know Purple will play “Smoke on the Water” – in the encore – but these other songs really make a difference.
On the other hand, they hardly tour nearly as much as they used to – especially here in the US. When I originally wrote this blog, I hadn't seen them since the Bercy show in Paris in 1985. Since then I've seen them at Bergen PAC (8/25/14) (Englewood, NJ), NYCB Westbury (7/26/15) (Long Island, NY), and the Warner Theater in DC (10/2/19). They seem to release live material fairly often.
Roger Glover. My favorite member has to be Glover, who only missed out at the very beginning, and has been the band’s most consistent bassist. He’s eternally optimistic, a great source of information on all the liner notes, and the helpful re-producer of all the remastered Mark II material – and the source, through a nightmare, of the title to their anthem, “Smoke on the Water.”
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