Friday, October 28, 2016

Inglorious Basterds

Quentin Tarantino’s WWII epic, it’s actually quite good.   In some ways it’s a bit overindulgent, but it has charming characters and enough wanton violence to make it all work.  I made it a point to see it in the movie theater when it came out, and when it came out on Blu-Ray I also made it a point to buy it.  Good thing, as this version has two bits which are “…very interesting….”  

First is the “full” “Stolz der Nation” (“Nation’s Pride”), the movie-within-a-movie about Zoller, the incredibly annoying German sniper (Daniel Bruhl) who chases after Shoshanna, Melanie Laurent’s character.  I say “full” because it’s really only about 10 minutes long.  But it is fun to watch.  Did I mention I have that same Mauser 98K he uses?  Well, not that exact rifle, but the same model.  Made in Austria in 1944.  Anyhow.

Second is a feature about the original 70’s film.  The director got a bit part in this movie, as an audience member.  It gave me just enough interest to rent it from Netflix and watch it.  I’d think they could have included the entire film, but once you see it for yourself, you’ll know why. 

It sucks.

First, the original.  Spelled “Bastards”.  It’s another poorly made 70s WWII film like “The Dirty Dozen”, “Force Ten From Navarone”, etc.  A ragtag team of American soldiers, all disciplinary cases for various reasons and NONE of them even remotely likeable or sympathetic – one even has a mustache and long hair, typical for 70s films where the actors have contemporary grooming out of place in the 1940s - wind up on their own after a German plane machine guns the MPs escorting them.  They make an initial attempt to escape to the Swiss border, with the help of a German deserter, until they run into a band of French resistance fighters joined up by an OSS officer – a colonel – who parachutes down and winds up commandeering this group for his mission:  to hijack a German train with the newest V2 rocket.   So these shitty soldiers wind up doing some good after all.  Whoopee.   Watch it ONCE out of curiosity and do NOT buy the damn thing.  I’m glad I didn’t.

Back to QT’s version.

Eloquent, charismatic, yet menacing Hans Landa, an SS officer known as the “Jew Hunter”, flushes out Shoshanna from her hiding place in rural France.  Oh, thank you for the milk.   She escapes and winds up running a theater in Paris which has been – how conveniently! – picked to premiere “The Nation’s Pride”, a propaganda film about a German sniper – still only a PFC despite his exploits – Fredrick Zoller (Bruhl).  Since all the big VIPs of Nazi Germany, including Goebbels, Goering and Hitler, will be at this premiere, it’s a good opportunity to end the war early with a bang.  This is where Aldo Raines (Brad Pitt) and his misfit team of Jewish “bastards” come into play.  Landa arrests them, but then – cleverly realizing that Germany probably WON’T be winning the war – persuades Raines to allow him to negotiate a deal with his superiors which will put Landa somewhere cozy in the US after the war and not in front of a firing squad, the most likely outcome for an SS officer who made a career of killing Jews. 

As you might have heard, Hans Landa steals the show.  Here’s what I find remarkable.  Several of QT’s actors are the real thing.  Christoph Waltz (Landa) is Austrian.  Diane Kruger (Bridget Von Hammersmark) is German.  Daniel Bruhl (Zoller) is half German – his father born in Brazil - and speaks fluent German.  Michael Fassbender (Hicox) (better known as the “young Magneto” in the X-Men films) is half German, half Irish, and also speaks fluent German.  The Gestapo guy even remarks, expressing his skepticism,  “I can’t quite place your accent.”  And Til Schweiger (Stiglitz) is also German.  Hell, even Mike Myers is here, as the British officer who briefs Hicox on his mission (I think he’s pretending to be Austin Powers’ WWII era ancestor).  Really it’s an all-star cast, and everyone really does a spectacular job.  Bravo.

As you can see, the plot has nothing in common with the original.  I take it as QT’s “homage” to those poorly made, lousy plot, low budget 70s films like its namesake, and the outlandish plot of his own likewise mirrors his source material.  But by adding in Landa, Raines, and an excellent cast, QT ironically makes an excellent film that’s actually worth watching more than once.  Danke!

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