Friday, March 23, 2018

Too Old To Rock'n'Roll, Too Young To Die


No, not the Jethro Tull album (1976).  Ironically, Ian Anderson is still touring today.  So much for that. 
My topic comes up due to Judas Priest replacing Glenn Tipton with Andy Sneap on its current Firepower tour of the US.

Glenn Tipton has Parkinson’s Disease and has had to stop touring (though he did play the most recent JP show…).  There’s some dispute as to whether he’s in the band or not.  My understanding is he’s become like Brian Wilson in the Pet Sounds and later era Beach Boys), contributing in the studio but with a live replacement for the tour.

For the upcoming tour, he’s been replaced by Andy Sneap, much to the annoyance of K.K. Downing (second from left above), who quit several years earlier (2011) and resented not being asked to fill Tipton’s shoes.  This has opened a whole can of worms.  As I understand it, Tipton actually wrote and played on this album, along with Downing’s replacement (and youthful lookalike) Ritchie Faulkner.  As noted, Downing QUIT the band several years earlier, and my impression is that it was under bad terms but everyone concerned kept their mouths shut out of mutual respect and tactfulness.  It was NOT because Downing was too old to tour and had to retire for health reasons, the usual excuse these days.  But when the Tipton/Sneap deal emerged, Downing felt no longer compelled to hold his tongue.  As I said, a can of worms.  One thing is certain:  Sneap, not Downing, has replaced Tipton on the current tour.  We’ll see how well he does and IF Downing can repair any damage.

Judas Priest (Black Star Riders, Saxon), at Anthem, DC.  This is a brand new music venue in Washington DC, on a newly developed pier/wharf district just southeast of 395 and the 14 Street Bridge.  It opened last fall with the Foo Fighters being the first act to play here.  In terms of format it’s a bit like a larger version of the 9:30 Club:  big floor/standing room with seats up on the edges.   The original 9:30 Club at 930 F Street (1980-1996) had a capacity of 200 standing, probably a minority of that standing room actually anywhere near the stage. We saw Faith No More (The Real Thing tour), Hawkwind, Nik Turner’s Hawkwind, and Type O Negative (headlining) (RIP Peter Steele) at this venue.  The new version, at 815 V Street, is much larger: 500-1200, most being floor standing room (except Steven Wilson’s show, which was floor seated), with some upper level sitting areas.  This new venue is much larger: 2500-6000. 

The Black Star Riders went on first, and I immediately recognized Scott Gorham, former Thin Lizzy guitarist, at stage right playing – you guessed it – a Les Paul through Marshalls.  Only one TL track: “Jailbreak”.  Although Gary Moore is deceased, classic Lizzy guitarist Brian Robertson is still alive and playing music.  If anyone knows why he hasn’t played with Gorham in decades please let me know.

They were followed by Saxon, who still have Biff singing and Paul Quinn on guitar, plus Nigel Glockler on drums.  “Heavy Metal Thunder” closed the set.  Thank you.  We’d first seen Saxon back in Paris in the 80s on the Innocence is No Excuse tour.  Along with Iron Maiden and Def Leppard, Saxon are one of the few surviving bands from the so-called New Wave of British Heavy Metal which emerged in England around ’79-81, after the punk movement finally lost steam.  Whereas Def Leppard morphed into a pop band with Hysteria, and Iron Maiden developed their sound without straying too far from their NWOBHM roots, Saxon has been by far the most faithful of the three in trying to remain true to their roots of 1980.  Fortunately we’ve seen them a few times in the past, mostly as headliners in smaller clubs, and they were always honest and high energy.  My brother even got his picture taken wiff Bith. 

And then… The Priest came on, and it was sad seeing two relative unknowns on guitar:  Ritchie Faulkner replacing K.K. Downing, even down to the long blond hair and Flying V; and as noted above, now Andy Sneap on a Gibson Explorer (or clone) (similar to mine before I swapped in EMG81s and a mirror pickguard).   Faulkner joined the band in 2011 and is on Redeemer of Souls (second newest album), Firepower (newest, freshly released album), and the live video Epitaph, which I have on DVD.  Our last JP show was in 2009 at Merriweather, the tour when they played British Steel in its entirety, so this was our first time seeing them live with Faulkner.   Sneap did a fair job of replacing Tipton.  Ian Hill (bass) and Scott Travis (drums) were as solid as ever.  “Painkiller” made it into the set, apparently the band’s most popular late-model song, but I never cared for it.  “Saints In Hell”, a song I much prefer, also made it, for the first time ever since its original release on Stained Class all those years ago (1978); “Beyond the Realms of Death” is my favorite from that album, and fortunately we’ve seen them play it on prior tours, just not this one.   For me the top song of this set was “The Ripper”, but my prayers to have Sad Wings of Destiny played in its entirety instead of British Steel have fallen on deaf ears.  On Epitaph they did play “Never Satisfied”, from Rocka Rolla.  Fingers crossed for “Run of the Mill”. 

Overall set:  Firepower (new); Running Wild; Grinder; Sinner (!); The Ripper (!!!); Lightning Strike (new); Bloodstone; Saints In Hell; Turbo Lover; Angel; Evil Never Dies (new); Some Heads Are Gonna Roll; Breaking The What?; Hell Bent For Leather; Painkiller (zzz); Encore: Hellion/Eclectic Eye; Metal Gods; You’ve Got Another Item On Its Way; Living After Midnight.  Nothing at all from Rocka Rolla, Point of Entry or Ram It Down. 

Ironically, with Halford replacing original singer Alan Atkins (far right in the picture above) ages ago (before the first album was even released) this makes bassist Ian Hill (far left) the only remaining original member left, similar to Deep Purple, Ian Paice being the only member to serve in all lineups from 1968 (Mark I, Shades of Deep Purple) to the present. 

To go a step further, the current touring lineup of Foreigner has NO original members left, though guitarist Mick Jones (getting too old to tour) has played with the lineup in the past and has apparently given his blessing to this one.  I don’t know where singer Lou Gramm is these days.  The Eagles are down to Don Henley, although Don Felder is alive and active (touring separately as he doesn’t get along with Don Henley), and Joe Walsh still tours with them.  Blackfoot is touring without Ricky Medlocke, himself in Lynyrd Skynyrd which only has Gary Rossington left.  Wishbone Ash only has Andy Powell, but that’s because he won’t let Martin Turner into the band.  Ted Turner and Steve Upton are retired.  I don’t know if their absence is because Powell insists on keeping the profits to himself and touring with paid musicians, or whether Ted and Steve would rejoin even if Andy asked nicely and agreed to share $ with them on acceptable terms.   [Mind you, Rick Wright was demoted to paid musician on The Wall tour, but since that tour lost money, he was the only member of Pink Floyd to actually make money on that tour.] 

All these bands are getting old and losing their original members, leading some fans to accuse the current lineups of being little more than officially sanctioned tribute bands.  This is nothing new, though:  the Marshall Tucker Band lost Toy Caldwell ages ago (1993), and the Sensational Alex Harvey Band (SAHB) actually toured without Alex Harvey after his death.  

The fans seem to be split on this.  One segment refuses to see a band under these circumstances, no matter how well the band actually plays on stage; the other segment is willing to see the band IF the replacement members do a respectable job and know their places.  I took a chance and saw Wishbone Ash back in 2002 despite Andy Powell (as noted above) being the only original member, and I’m glad I did.  The rest of the band is competent and they play all the classic songs well.  Holding out for the return of both Turners and Upton means missing some good shows. 

Van Halen recently got David Lee Roth back, but bassist Michael Anthony was not invited back even though he was ready & willing to do so.  I suspect Eddie was paying his son Wolfgang nowhere close to the cut Anthony would be justified in asking for, so it’s money above all.  Having said that, we saw the show with Roth and he was fine.  Then again, we had never seen them play earlier with him (1984 and earlier tours) so the only comparison we had were the OU812 and F.U.C.K. tours with Sammy Hagar. 

Hell, there were people bitching that Tommy Clufetos was touring with Black Sabbath instead of Bill Ward on this final farewell tour.  But Ward has NEVER been consistent since 1978, dropping off tours as early as Mob Rules and Born Again, and only showing up again briefly in 1999.  Expecting him to tour now is downright idiotic, as is a boycott of a tour with Clufetos on drums.  

Finally, the big NO NO here was the infamous Deep Purple tour of 1980.  Rod Evans was the only original member left.  The Mark IV lineup had broken up back in 1976 and the other members were scattered through other bands like Rainbow and Whitesnake; fellow Mark I veteran, bassist Nick Simper, wisely refused to join this fiasco.  Yet they claimed to be Deep Purple and played Mark II and III material as it was their own.  Surely a distinction can be made between this blatant ripoff and an older band trying to bring music to the fans with as many original members as can reasonably get up on stage and play. 

One more thing I’d like to point out.  Not only musicians, but us fans as well are getting older and dying, whereas some fans are younger and had no opportunity to see the band play decades ago with its classic lineup intact.  For the latter group, the current lineup is the only option.   If you’ve seen the band play back in the day and don’t want to waste your money on what you consider a glorified tribute band, save your money and stay home.  As for me, intent on seeing the band in as many different lineups as possible, regardless of how many past shows I’ve seen, I’ll spend the money and see the show and won’t bitch that so & so is too old to tour, is dead, doesn’t get along with the rest of the band, or for whatever reason, good or bad, isn’t on the tour.  And I’ll enjoy sitting in the seat you might have taken if you weren’t staying home.  We all win.

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