Friday, February 22, 2019

Bruce Lee

As mentioned earlier, some time ago I took aikido classes at a school in Burke, up until fall of 1999.  To my knowledge the school has now closed.  I took the classes for several years and worked my way up to first degree black belt.  The tests involved fending off attacks from opponents.   We cross-trained in tae kwon do, but did not have to do all the forms which TKD students are required to do.  I learned punches and a variety of kicks.  Aikido is mainly defensive, turning an opponent’s attack against himself by redirecting the momentum or twisting arms or legs in the wrong direction. 

The most famous martial artist associated with aikido is Steven Seagal, and while watching his films I recognized the various moves we did in class.  By now I’ve seen most of his earlier movies, but I zoned out when he drifted into a personality who was overly mystical and friendly with Putin.  From 1988 (Above the Law) until now (Attrition) he has done 53 movies, with “Above the Law 2” and “Under Siege 3” in development. 

Before Steven Seagal, there was – BRUCE LEE.

I’d seen “Enter the Dragon” a few times before and even had it on DVD.  But up until now I hadn’t bothered to watch his other films.   Cue Robin Leach: “I don’t know WHY.”  Anyhow, after watching “The Last Dragon”, I decided to rectify that oversight and watched these films.

Born November 27, 1940 in San Francisco, but grew up in Hong Kong.  His family brought him back to the US to avoid problems and he went to college in Seattle.  He spoke fluent English and seemed to understand both Chinese culture back in Hong Kong as well as US culture, at least on the West Coast.  He died of a stroke complicated by negative interactions with a drug given to him to cure the condition – neither misadventure nor negligence on his part, nor anything like his son Brandon’s death in the process of making the movie he was working on at the time. 

Jeet Kune Do.  His martial arts style of “no style”.   I’ve never been to a JKD school nor do I know anyone else who has.  I can’t claim enough familiarity with the various styles to offer any coherent analysis of this, so I’ll leave it at that. 

The Green Hornet.   He played the title character’s sidekick, Kato, for one season.   No US studio, either for TV or movie, would give Lee a starring role as the main character. 

The Big Boss.  His first movie, a wholly Chinese (Hong Kong) affair.  The bad guys are Chinese gangsters using an ice factory as a front for a drug smuggling operation.   [NOTE:  some sources equate this with “Fist of Fury”.  They are two completely separate movies.]   Nora Miao, who has more substantial roles in later films, starts off here as a cute ice cream girl. 

Everything starts off ok, until various workers notice that the ice has drugs in it, and “bring this to the boss’ attention”.  Then they disappear.  Their co-workers wonder where they went.  Big boss makes excuses which initially satisfy them but eventually fall short.  Eventually it’s up to Lee’s character to take on a series of bad guys, each more important, until the final showdown with the head bad guy, and of course Lee’s guy wins.  Note: as with all these films, I recognize tae kwon do and judo moves but little or nothing in the way of aikido.

Fist of Fury.  This takes place in Shanghai and the Japanese are bad guys, though outright war doesn’t seem to be going on, so it must be before 1937.  The Head of a martial arts school, who had been old but in good health, mysteriously dies.  The top student, Chen (Lee) suspects foul play, and he’s right:  the Japanese (twirling mustaches diabolically) poisoned Old Man.  Chen sets out to avenge the Old Man’s death.   There’s a Cute Asian Chick (Nora Miao), a burly Russian martial artist, Petrov (Robert Wall), a collaborating Chinese interpreter consistently mistreated by the Japanese (“crawl for us like the Chinese dog you are!”) and disliked by his fellow Chinese, a few geishas (one goes full nude, which is interesting) and of course plenty of martial arts.  The top bad guys are Japanese, and a samurai sword enters the equation.  Naturally, Lee wins. 

Way of the Dragon.  This is the next one, taking place in Rome.  The local Chinese are being bullied and oppressed by the Mob.  BL, visiting from Hong Kong, of course does something about it.  Cute Chick Nora Miao is back, as are many of the other actors, including Robert Wall, again playing a goon, though not as prominent and not Russian.  Ultimately the bad guys send for Colt (Chuck Norris), who faces off against Lee, appropriately enough at the Coliseum itself.  [It turns out that Norris’ appearance in “Game of Death” is actually scenes from this film spliced in to that one, not a new appearance.]  In any case, this Lee vs. Norris battle is what makes this film a must-see for Lee & Norris fans alike, and in that regard make it competitive with “Enter the Dragon”.

Enter the Dragon.  His most famous, with John Saxon and Jim Kelly; Jackie Chan supposedly appears as a nameless opponent he summarily dispatches, but I was unable to recognize him.  He starts off in Hong Kong, of all places, and winds up at a martial arts tournament at a secluded island, run by the bad guy, a Shaolin monk who went the wrong way.  Actually both the Shaolins and an unnamed intelligence agency sent him:  the former to avenge themselves from this man who is corrupting their “faith”, and the latter because they believe he’s been running criminal operations from his island but no one has been able to infiltrate the island to prove it – they lost contact with their prior agent.  Eventually he dispatches the bad guy, whose hand is gone and replaced by various nasty weapons. 

Game of Death.  He started making this before “Enter The Dragon” and picked up again after, but was cut short when his death made it difficult for him to do much more.   So they got a stand-in to replace him, and spliced in footage of him already shot to try to make a coherent whole of the entire thing, with mixed results.  I’d say it works remarkably well given the circumstances but still doesn’t match “Enter the Dragon”.  The highlights are donning the yellow, black striped one piece track suit while taking down various enemy motorcyclists in a warehouse, followed by his successive defeat of various martial arts masters in a tower, going up floor after floor and finally dispatching the Boss Level Man, played by none other than the insanely tall Kareem Abdul Jabbar, aka Roger Murdock. 

Martial Arts & Porn.   I noticed a similarity in the format:  each type of film is oriented towards physical interaction, of clearly different types.  The dialogue is not particularly brilliant, the plot is fairly simple, there are no twists and eventually you wind up with the… physical interaction.  On the other hand, I don’t really see porn as a main “actor” screwing his/her way up a series of partners until finally taking on the big boss one for one gigantic simultaneous orgasm, so the analogy isn’t entirely fair to martial arts films.  

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