Dunsmuir

My weekly Friday writer’s block was resolved when I listened to this album, a self-titled deal by yet another side project by Clutch vocalist Neil Fallon, featuring Vinnie Appice (Black Sabbath) on drums, Dave Bone on guitar, and Brad Davis (Fu Manchu) on bass.   Bone was previously with Fallon and Davis in The Company Band.  No word if this band will tour, as Fallon seems locked solid touring and recording with Clutch – I’m surprised he had time to do this album.

I suppose after listening to rock music and going to concerts since 1984, I’m going to be a bit jaded.  I lose patience more easily with bands that regurgitate old material or copy others yet pretend to be original.  It’s egregious for PROG bands, who seem to think that if they’re slavishly copying Yes, Rush, or Pink Floyd that they should be considered PROG as well; fewer bands try to copy King Crimson or Frank Zappa.  Anyhow.

Enough already, does it suck?  Does it rock?  I’ll tell you. 

Obviously any Fallon-fronted band will sound something like Clutch, but this is heavier and nastier.  I liked it.  It has a raw groove, a thick and heavy guitar tone, overall exactly what I expect from Fallon and whoever is backing him up.  We’ll see if he actually tours this.  Since Bone & Davis were also in The Company Band, any tour could include that material as well.  I’m puzzled that Dave Bone doesn’t have a full-time job in a band. 

Format.  Here’s the weird thing.  Earlier I got two 7” vinyl singles, then the final package, which included a standard 12” vinyl record, plus a small card – oh, by the way – with a code which allowed me to download the MP3s, add them to iTunes and sync with the iPod, and make a CD-R I could play in the car.  With my stereo receiver acting up these days, I’m not listening to vinyl, but the CD-R sounds fine in the car.  Use Waze, even if you know the way, because this is the type of awesome tunage that makes your right foot slam down hard, and with 370 HP on tap from a Hemi V8, I’m in danger of receiving more invitations from the Fairfax County Police to appear at court. 

At home?  Alcohol & high volume might be a better mix.  :D 

Supergroups

These are groups comprised of members who are already well-known from other bands.  I’ll start with the most recent and work backwards.

 Them Crooked Vultures.  Josh Homme (Queens of the Stone Age) (guitar, vocals), Dave Grohl (Nirvana, Foo Fighters, and briefly in QOTSA), and John Paul Jones (Led Zeppelin) (bass/keyboards).  To be honest, I can’t tell JPJ’s bass playing from anyone else’s.  To my ears – and I’m a big QOTSA fan – this sounds 80% like QOTSA and not at all like Led Zeppelin.  To me, though, that’s a good thing, although I do like Led Zeppelin as much as I like QOTSA.

            I’ve read several interviews with Jimmy Page, and to hear him talk, I get the impression that Page and Plant were not really good friends with Jones, although they liked Bonham.  Also reading Hammer of the Gods, Jones seems like the odd one out.  There seems to be a disconnect, like Jones’ competence and skill were beyond dispute, but he was simply “that guy” who played bass and keyboards for them, punching a clock.  Yet Homme and Grohl seem to have genuine affection for him, like they realize “this guy is very underrated and gets a raw deal.”  Given that Plant nixed a Zep reunion to tour with Alison Krause – Page and Jones were willing – I’d say Plant is very full of himself.  Anyhow, good to see that Jones’ skills are not going to waste simply due to Plant’s misguided ego.

 Chickenfoot.  Sammy Hagar (solo, Montrose and Van Halen) (vocals), Joe Satriani (solo)(guitar), Michael Anthony (Van Halen)(bass), and Chad Smith (Red Hot Chili Peppers)(drums).  I was surprised, this wasn’t an AOR wuss-out effort, but is actually pretty damn hard, even sounding somewhat like AC/DC.  The name is a takeoff on the logo, which is the peace symbol, a rare departure from the usual sexual innuendo names.

 The Company Band.  Neil Fallon (Clutch)(vocals), James Rota (Fireball Ministry)(vocals), Dave Bone (guitar), Brad Davis (Fu Manchu)(bass), and Jess Margera (CKY)(drums).  They have an EP, Sign Here, Here and Here, and a self-titled full-length album.  The cover of the EP looks like a corporate report, while the album cover looks like an old-fashioned stock certificate.  It mostly sounds like Clutch but a bit weirder and funkier.

 Down.  Phil Anselmo (Pantera)(vocals), Pepper Keenan (Corrosion of Conformity)(guitar), Kirk Windstein (Crowbar)(guitar), originally Todd Strange (Crowbar)(bass), now Rex Brown (Pantera)(bass), and Jimmy Bower (Eyehategod)(drums).  They have several albums, NOLA (as in, New Orleans & L.A.), Down II: A Bustle in Your Hedgerow, and Down III: Over the Under.  I think of them as a merger of Pantera and COC, and in this case Anselmo tones down his vocals to something closer to James Hetfield than Tom Araya.  It’s like nasty, gritty, rusty, swampy rock, like Lynyrd Skynyrd on bad acid.   

 Damn Yankees.  Ted Nugent (solo), Jack Blades (Night Ranger)(bass), Tommy Shaw (Styx)(vocals, rhythm guitar), and Michael Cartellone.  This was fairly AOR commercial rock, not too bad.  Some of the material on Nugent’s Craveman album had credits to Blades & Shaw, as it came from the never-released second DY album.  Nugent joked that it had been produced by a “gay bandito, and I promised to kill him and his whole family if that turd saw the light of day.” 

 Mr. Big.  Eric Martin (vocals), Paul Gilbert (guitar), Billy Sheehan (bass), and Pat Torpey (drums).  To me, Sheehan’s major contribution was to David Lee Roth’s solo album Eat ‘Em and Smile (remember “Yankee Rose”?), and Paul Gilbert was another popular shredder (Racer X).  I have no idea where Martin and Torpey came from.  This was very much like Damn Yankees, fairly light and fluffy AOR material.  I got this album at the same time as King’s X, Gretchen Goes To Nebraska, expecting to feel blah about King’s X and love Mr. Big, but it was the other way around.

 Asia.  John Wetton (King Crimson, Wishbone Ash, Family)(bass), Steve Howe (Yes)(guitar), Geoff Dowenes (Keyboard), and Carl Palmer (ELP)(drummer).  They were big when I was in high school (80s) but I never cared for them.  By this point I think of Wetton as part of King Crimson’s best lineup, which recorded Larks Tongues in Aspic, Starless and Red.  Bill Bruford, as equally part of Yes as Crimson, recently retired, and remarked that if he really wanted to make some cash, he’d call up Robert Fripp to do a tour playing Larks Tongues and Red in their entirety.

 Blind Faith.  Steve Winwood (Traffic, Spencer Davis Group)(vocals, keyboards), Eric Clapton (Yardbirds, Cream, solo)(guitar), Rich Graech (Family)(bass) and Ginger Baker (Cream, drums).  They have one album, with two major songs, “Can’t Find My Way Home” and “In the Presence of the Lord”.  I’m not a big fan of Clapton or Winwood, so this combo hardly lights my fire.  Nor does the famous album cover with the naked underage chick and the toy plane.  I prefer Roxy Music…

Crosby, Stills, Nash & Young (+ CSN).  Each member was already famous from previous bands when they joined forces, so this qualifies, but I never liked them very much.