I recently got back from a short trip (a few days) in
Monday, July 5, 2010
Los Angeles
I recently got back from a short trip (a few days) in
Friday, June 25, 2010
Maryland
Odd, I’ve done blogs on
The state is named after Henrietta Maria, the Queen consort to English King Charles I. Being Catholic, she was ineligible to be Queen of England. She was the aunt of French King Louis XIV.
The flag is actually unique. Most states cop out and simply put their seal on a dark blue field (e.g. Virginia). Maryland combined the black and gold banner of the Calvert family with the red/white cross of the Crossland family. The Crossland segment was used by Maryland secessionists during the Civil War; the combined flag dates from 1904.
The northern border with Pennsylvania is better known as the Mason-Dixon Line . Pennsylvania is a big state with Philadelphia to the far east – across the river from Camden , New Jersey – and Pittsburgh in the western, mountainous section.
To the south, the District of Columbia (DC) is a diamond cut out of the state. Clearly, our nation’s capital is far more important than anything in Maryland , in fact more important than most of the rest of the country with the possible exception of NYC or L.A. Sorry, Chicago .
Across the Potomac River is Virginia . It’s hard to tell how important Virginia is these days; its major deal is being a relic of the Civil War, like South Carolina . Its capital, Richmond , used to be the capital of the Confederacy. Many of the Founding Fathers, most notably George Washington and Thomas Jefferson, were from Virginia ; TJ’s home, Monticello , is part of the University of Virginia in Charlottesville . And most of the top Civil War CSA generals, like Robert E. Lee and Stonewall Jackson, were from Virginia , as was the CSA’s major arms works, the Tredegar factory in Richmond .
To the west is West Virginia . To the east: Delaware . West Virginia ’s major distinction seems to be seceding from Virginia and giving that state a more aesthetically pleasing shape, at the expense of its own. Delaware is forgotten except by students of corporate law (as I was) or anyone who wants to incorporate a business.
Shoot northwest from the Beltway with 270, which passes Rockville , then Gaithersburg , then Germantown , and winds up in Frederick . From Frederick , 70 goes east to Baltimore and west to Hagerstown . What you thought of as 270 continues north as 15 and takes you to small-town Pennsylvania .
Shoot northeast from the Beltway with 95, which goes up to Baltimore , up into Delaware , and eventually all the way up to Maine . 95 is the easternmost north-south highway in the US highway system which starts with 5 in California .
Shoot due east from the Beltway, as Route 50 which heads to Annapolis , crosses the bay, and then winds itself across the Eastern Shore to Ocean City .
Roughly parallel to 270 is 355, which starts in DC as Wisconsin Ave. and continues all the way up to Frederick , where it ends.
Eventually the Browns relocated to Baltimore and became the Ravens, to take the name from Edgar Allen Poe’s famous poem. With the Browns resurrected in Cleveland again, the Ravens are out of that shadow. Plus, they’ve won the Super Bowl, which no Browns team can claim. Now the Redskins are technically in Maryland at FedEx Field, but we still think of them as from Washington and not a Maryland team.
Friday, June 18, 2010
Ivan Grisham 2.0
A Time To Kill. Our valiant oppressed minority hero is unfairly oppressed by the corrupt capitalist justice system after rightfully executing two degenerate criminals who raped his 10 year old daughter. Another hero, the small town people’s lawyer, steps up to the plate, so to speak, and liberates Comrade OMH from ultimate persecution.
The Firm. A young, idealistic lawyer is seduced by the dark side of an Evil Capitalist Law Firm. He realizes, eventually, that any rich, successful corporation, including a law firm, must be doing something illegal and/or unethical – and his own firm is no exception.
The Pelican Brief. A young, idealistic law student uncovers plot by an Evil Capitalist in Louisiana to secure favorable Supreme Court appointments to protect his anti-pelican exploitation.
The Client. A young boy witnesses a crime and must be protected from various capitalists who wish to kill him. Comrade Sarandon, well known for her progressive roles and politics, plays his lawyer in the movie. Dull and not enough explosions and deaths of capitalists.
The Chamber. The evil in America’s justice system, in the form of capital punishment, is really just a mirror of the prior evil of America’s southern culture. A young, idealistic lawyer defends his grandfather, a Klansman on trial for blowing up a civil rights lawyer in the 60s. He finds pictures of lynch parties in that town in the 30s, and his grandfather is in the pictures smiling as a young boy. Grisham makes the dubious argument that somehow even this racist oppressor should be given mercy.
The Rainmaker. Young idealistic lawyer takes on Evil Capitalist Insurance Company, which wrongfully denied a valid health insurance claim, as a result of which the policyholder did not get his leukemia treatment and died (“Eight times you have filed this claim, and eight times we have refused it. You must be STUPID, STUPID, STUPID!”); the insurance company determined that it would save more money by denying claims than it would lose in litigation.
The Runaway Jury. An idealistic juror and his paramour hijack the jury in a trial against an Evil Capitalist Tobacco Company (in the movie, it’s an Evil Capitalist Gun Manufacturer), despite the nastiest tricks ECTC’s litigation consultant can throw at them. Gene Hackman returns to portray the consultant just as it he did the Klansman in “The Chamber”. Despite the odds stacked against them by the corrupt capitalist justice system in America, justice prevails.
The Partner. Not quite so young, but still idealistic lawyer is captured by evil capitalist agents in Brazil after hiding out for years. It seems he stole the ill-gotten gains of his firm’s client, an Evil Capitalist Defense Contractor. How he out-maneuvers his ex-wife and her lover, the FBI, local oppressors in Mississippi, and Evil Insurance Companies, with the assistance of Beautiful Third World Woman, is the charm of this adventure. Lesson: those Davids who would defeat the corporate Goliaths should only do so for the sake of social justice, not personal gain.
The Street Lawyer. Older, jaded lawyer decides to take up the cause of oppressed minorities in DC. A street person’s ruthless execution by jackbooted Fascist thugs (aka SWAT) eventually reveals the role of the lawyer’s firm in an unlawful eviction (of which said street person was a victim). Yet again we see that large law firms in the US are invariably involved in illegal and unethical activity and consistently assist their bourgeois clients in oppressing minorities. Jaded Lawyer experiences satisfaction of helping urban proletariat and leaving his corrupt, decadent lifestyle behind.
The Testament. Eccentric, misanthropic elderly capitalist dies, and cheats his corrupt, greedy heirs in favor of a daughter no one – even his own lawyer – knew existed. The sole beneficiary is working deep in the jungles of Brazil, helping the oppressed indigenous peoples. Comrade Grisham appears to be much enamored of Brazil, despite its military dictatorship from 1964-85, the aforementioned oppression, and the deforesting of the Amazon rainforest.
The Brethren. Three corrupt capitalist judges – like the witches in MacBeth – conspire to do evil deeds. More clear examples of the depravity of American culture and society.
The Summons. Brothers are summoned back by last will of their estranged father. Very dull, as with The Client, too little revolutionary justice. Sometimes Comrade Grisham forgets himself and is self-indulgent, or in The Chamber shows inappropriate mercy to obvious class enemies.
The King of Torts. As with The Partner, sympathetic lawyer hero discovers that virtue (here shown by class actions to attack Evil Capitalist Corporations) should be its own reward.
The Broker. Sympathetic quasi-capitalist hero is injected into Italy and becomes part of an elaborate capitalist conspiracy which threatens his life.
The Last Juror. Comrade Traynor takes over the local paper and now enlightens 1970-79-era fictional Mississippi town of Clanton with his wisdom, including his opposition to the US aggression against the people of Vietnam and later his opposition to Evil Capitalist Supermarket Chain. Regrettably, the local population proves stubbornly reactionary and resistant to class consciousness. The particular tragedy here is the rape and murder of a young woman before her own children, and the near-victory of the murderer, a scion of decadent rural capitalist criminals, over the criminal justice system. Traynor also finds, and describes in great detail in his Pravda, the extraordinary story of a Minority Family, all but one of whose children have PhDs and whose mother speaks 18 languages and invented cold fusion.
The Painted House. Comrade Grisham strays from his tried and true comfort zone of legal thrillers and successfully cures insomnia. Story involves peasants in Arkansas, lumpen proletariat hillbillies, and glorious Mexicans. Evil capitalist flood ruins farm, mom & dad run to industrialist North with boy who dreams of playing baseball for the St. Louis Cardinals (his name is not Mark McGwire).
Bleachers. Another snoozefest. American reactionaries return to small town to reminisce about football after their legendary coach passes away.
Playing for Pizza. The least boring of the non-legal epics: a former NFL quarterback, disgraced after being thrown to the lions in the AFC Championship game between the Cleveland Browns and Denver Broncos – as the third string quarterback – winds up in Parma, Italy, playing for their local American football team. He experiences Europe for the first time and particularly enjoys Italian cuisine. There is little revolutionary fervor here and more self-indulgence.
Ford County Stories. This is a collection of short stories set in fictional Ford County, Mississippi. Grisham hits the usual targets of reactionary rednecks, albeit fairly haphazardly and leisurely, with no drama or suspense, much as life in these small American towns is alleged to be.
The Associate. A promising young third year law student is blackmailed into joining a major NYC law firm in order to provide confidential information to his blackmailers – they eventually escape and their true agenda is never revealed. The true point of the story is to demonstrate how oppressive and unpleasant the top law firms are and to encourage similarly promising law students to forgo said firms in favor of small town firms which cater to proletarian clients.
The Confession. A minority defendant faces the death penalty while the true killer, a white man with terminal cancer and a long history of crime and prisons, finally decides to come clean to save an innocent life. Unfortunately for the MD, the Texas capital punishment system, from the police, prosecutors, judges, appellate courts, all the way up to the governor, have zero interest in justice and are adamantly committed to executing this poor boy they managed to pin the crime on – despite last minute appeals and ample timely provided evidence of the condemned boy’s innocence.
The Litigators. Comrade Associate, burnt out from a major Chicago law firm, drops into a petty bourgeois law firm specializing in chasing ambulances. While the junior partner shyster attempts to win the jackpot by taking on a major pharmaceutical company - only sympathetically portrayed here because their anti-cholesterol drug actually ISN'T harmful - the CA finds solace in representing a small family with a child irreversibly brain damaged by a cheap vampire teeth toy (lead poisoning).
Thursday, June 10, 2010
Jethro Tull 2022
[Originally written in 2010, rewritten in 2022. Bracketed portions are the recent additions.]
[Recently (November 2022) I've been on document review projects. I keep my eyes and brain on the screen, but my ears are free, and I've been digesting the entirety of Jethro Tull's repertoire, plus the solo albums of ringmaster/vocalist Ian Anderson and guitarist Martin Barre. By now, Tull have 22 studio albums from 1968 to 2022, with a major gap between the 21st, the Jethro Tull Christmas album (2003), the last album with Martin Barre, and recently released The Zealot Gene. Although Anderson had pretty much free rein as the leader of Jethro Tull, he still put out six solo albums. For his part, Martin Barre has eight solo albums, half of which predate the JT Christmas album. Now I've finally heard them all.]
Thanks to my brother, I saw Jethro Tull once again, on Tuesday June 8, 2010 at Wolf Trap. Come to think of it, every time I’ve seen Tull has been with him, as he’s far more of a Tull fan than I am or ever was, but I can honestly say I enjoyed this show as I did the earlier ones; as Roger Waters once said, “People come to a show and they don’t like it, they don’t come again.”
I can’t remember how we got into the band, but Iron Maiden was probably a factor. In every interview in which bassist Steve Harris is asked his influences, he consistently names Jethro Tull and Wishbone Ash. Maiden has covered “Cross-Eyed Mary”.
Note: Jethro Tull himself is/was NOT in the band. He died in 1741, sometime earlier. Safe to say he had no knowledge of the band named after him 226 years after he died. His claim to fame is developing the seed drill.
Jethro Tull IS pretty much the band of Ian Anderson, the singer/songwriter. Anderson also plays flute, harmonica, and a small acoustic guitar. His signature pose is standing on one leg. Even today, at age 62, he is very spry and jumps around stage, although he no longer wears Renaissance clothing or a codpiece.
For a month in 1968, Tony Iommi of Black Sabbath played with Tull. Despite being in the band for such a brief period of time, he was Tull’s guitarist on the Rolling Stone’s Rock’n’Roll Circus special, pretending to play “Song For Jeffrey” on a left-handed Stratocaster.
From the remarks he made on stage, and from interviews, it’s clear that Anderson is not happy that Tull is often considered a “progressive” band and lumped in with Pink Floyd, Yes, Genesis, and King Crimson (among other such bands). He kept Tull off the bill at Woodstock because he wanted to disassociate the band from the hippie movement. There are elements of jazz, blues, classical, and folk all wrapped up; “Bourree” is clearly classical, even if Anderson admitted they had watered it down into second-rate jazz. Tull are one of these bands who can appeal both to rock fans who might not like classical music, and classical music fans who consider all rock to be degenerate noise. This is why they play Wolf Trap, a smallish ampitheater for the wicker picnic basket crowd, not the 9:30 Club (moshing at a Tull show? Perish the thought!).
In 1989, the Grammy people decided, in their immense wisdom, to not only begin a special category for heavy metal, but to bestow that award upon Jethro Tull for their album Crest of a Knave, instead of the presumptive favorite, Metallica’s …And Justice For All. Anderson claimed to have been as stunned and surprised as Metallica were by this choice. I do like Crest of a Knave, and as Tull albums go it’s about as heavy as any of them, but nowhere close to …And Justice For All. In fact, before …And Justice For All, the only people to listened to, or paid attention to, Metallica were metal heads like my brother and I. That album suddenly broke the band wide open to the R.E.M. and “progressive rock” crowd – and here I mean the skinny, VW-driving liberals who listen to R.E.M. and WHFS, and generally slam metal music and its fans as Neanderthal idiots like Beavis and Butt-head. Now these guys were joining the Metallica bandwagon. So really, by anyone’s standards and imagination, …And Justice For All was definitely the album which should have won in 1989. When Metallica did win the Grammy in 1992, drummer Lars Ulrich joked, “we’d like to thank Jethro Tull for not putting out an album this year.” [Actually, both Metallica - the self-titled, Black Album - and Jethro Tull (Catfish Rising) released albums in 1991.]
Aqualung. They’ve had good albums since this one (Minstrel in the Gallery, Songs from the Wood, Broadsword and the Beast, and Crest of a Knave), but clearly this is their Dark Side of the Moon, their Sgt. Pepper. In concert You KNOW you will hear the title track and “Locomotive Breath”, and most often “My God” as well. One of the more recent shows we saw a few years ago was one in which they played Aqualung in its entirety, including the other longer songs “Hymn 43” and “Wind-up”, and the shorter throw-away tunes. What I liked is that unlike the more recent spate of such efforts by bands, they did not play the songs in exact running order consecutively, but in no particular order and alternating with other songs.
Live. By now the only original members are Anderson and Martin Barre, the guitarist. Barre by now bears an uncanny resemblance to Joe Biden. What you have is an old guy playing VERY mean guitar. Anderson hogs the attention, hopping on one leg, and regaling us with witty anecdotes and comments about the songs, much more entertaining than the usual “are you ready to rock, motherf**kers???” we can expect from lesser bands. Overall the experience is exciting, interesting, and despite all the very obvious non-rock ingredients definitely needs to be classified as “rock”.
[Stinkers. My own opinion, mind you: Thick
As A Brick, A
Passion Play, Under Wraps. And the rest are OK, neither remarkable in good quality or bad. That includes the solo albums by Anderson and Barre.]
[We later managed to see Martin Barre perform as a solo artist in 2018. Mostly he played Jethro Tull songs, of course: Steel Monkey, Hymn 43, Back to the Family, Love Story, For A Thousand Mothers, Nothing to Say, Nothing is Easy, Hunting Girl, Minstrel in the Gallery, My Sunday Feeling, Sealion, Pibroch (Cap In Hand), A Song For Jeffrey, Teacher, A New Day Yesterday, Aqualung, and Locomotive Breath. Still very agile on the electric guitar, fortunately, and an excellent show.]
Friday, June 4, 2010
Class and Cool
It’s time to tackle more vague and esoteric topics: “class” and “cool”.
It’s not necessarily about money: some people of modest means can carry themselves with style and make an impressive statement on a minimal budget. I think of Leonardo DiCaprio’s character in “Titanic”, holding his own in a borrowed tuxedo among the rich and famous, neither ashamed of himself nor trying to pretend to be anything more than what he was, which was good enough for anyone.
Myself, I am no worse, nor any better, than bourgeois, for whatever tackiness or class that entails. I never buy the cheapest stuff (which is almost invariably crap) nor do I see any status in overpaying (assuming I could afford to do so anyway).
Thursday, May 27, 2010
Deutschland Uber Alles
A few eons ago I posted a blog about various alternate history stories in which the South won the US Civil War, or at least in which the Civil War took a dramatically different course than it actually did. Of these, Turtledove’s timeline was the most ambitious: not only did the South win the Civil War, North and South clashed again three more times, ending in a vast WWII conflagration in which the South’s blacks perished in concentration camps, a Southern Hitler, Jake Featherston, ran a CSA dictatorship with his Freedom Party, and the Kaiser nuked Petrograd. Now it’s time to review a similar slew of books in which Nazi Germany won World War II.
Labels:
fatherland,
germany,
hitler,
nazi,
ssgb,
turtledove
Friday, May 14, 2010
School Bus Memories
Now that I was in high school, the issue of extracurricular activities arose – how to get home from school after rugby practice. Fortunately ASP had two “late” buses which actually did come to the Neuilly compound, so it wasn’t a problem. However, I’d have had NO idea how to get from the compound to ASP by public transportation.
Moreover, the “late” buses didn’t come all the way to our neighborhood. They’d stop at the Etoile, which was 4 Metro stops away. However, I didn’t mind walking, as I walked past the huge record store, FNAC, on Wagram , and spent my excess lunch money on vinyl and cassettes (the latter I could listen to on my Walkman on the walk home).
There were other advantages of the train. In the afternoon, there was no “3:30” or “late train”, you’d just take whichever train left Garches when you got to the station. No hurry to “make the bus” and no issue about a late bus which left you off 4 metro stops away from home.
The other (huge) advantage was that to pay for the train, you’d buy a “Carte Orange”, an orange ticket good for an entire month of travel, on every form of public transportation: Metro (RATP), RER, bus, and SNCF (train). The same carte orange we’d use for the train to get to school would get us around Paris on the weekends on the Metro, without having to buy the individual yellow tickets.
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